Culture days

artsblue 100x100By Staff

September 1st, 2019



The City of Burlington’s public art program has selected seven professional artists and artist teams that submitted proposals for temporary art installations throughout the city. Many of these installations are interactive – those  artists want public participation.

The first of these opportunities is at the Lowville School House on Sept. 5,6, 9 and 10 in Lowville Park. Artist Thomas Sokoloski is looking to record stories about Lowville.

All seven temporary art installations will be unveiled as part of the Burlington’s Culture Days event, later this month on Sept. 27 – 29, 2019. The installations will be exhibited for one-month, running from Sept. 27 – Oct. 25, 2019.

Sharman with Angela Papxx

Angela Paparizo in conversation with Councillor Paul Sharman

Angela Paparizo, Manager of Arts and Culture for the city explains the bigger picture:  “These temporary art installations will be interesting and captivating. Sculptures, stories, treasure hunts, murals and photos will create a sense of intrigue and hopefully encourage people to seek out these installations and start a conversation. Launching at Culture Days is a great way to kick off the weekend as well as the installations’ month-long viewing.”

Her is a list of the Artwork Concepts


Lowville school house – talking walls.

Lowville Park – artist: Thomas Sokoloski
The expression “If these walls could talk…” comes to life with “Listening to the Walls”, a site-specific interactive installation inspired by the memories of the Lowville community. In the tradition of a community ‘barn-raising’, residents are invited to participate in a ‘memory-raising’ to build and structure an oral history about their experiences. Adorning the upper walls of the barn will be photographic portraits of these storytellers, and below them designated areas where the public can listen to walls tell these stories from within.

Sokoloski is looking for people’s stories about the Lowville. He will be at the Lowville School House on Sept. 5, 6, 9 and 10 to record people’s stories. Residents with an interesting story to share, are encouraged to contact Thomas Sokoloski at or call 905-548-0111 to schedule a time.

Pic 1 Spencer Smith Park

Spencer Smith Park – waste management as an art form.

Spencer Smith Park – Artist: Arianna Richardson
Arianna Richardson, performing as The Hobbyist, will create an interactive installation and performance art project called “Garbage Party”. The installation consists of a gigantic, absurdly over-decorated, re-imagined version of waste infrastructure. “Garbage Party” prompts the public to consider their own relationships with waste and recycling, presenting a playful and absurd site in which to engage in conversations about our consumer society and the impact of the waste it generates. From Oct. 22-25 from 1 to 5 p.m. each day,

The Hobbyist will be performing on-site maintenance, collecting and documenting trash in the area, and then conducting a short survey with participants.

Gazebo - new location

The new Gazebo.

Spencer Smith Park – Artist: Troy Lovegates
Troy Lovegates is an internationally prolific street artist who works in a variety of mediums, including murals, screen-printing and woodcarving. For this project, Lovegates will create “Hide and Seek,” a series of folk art wood sculptures that have been hidden throughout Spencer Smith Park. Park visitors are invited to participate in a “scavenger hunt” to find the sculptures and collect a stamp at each location.

Visitors can pick up a map with clues from the birdhouse box located beside the gazebo and start their adventure. The first 100 people to turn in their completed map will receive a special prize!

Brant Hills Community Centre – Artist: Jimmy Limit
Jimmy Limit will create a large-scale photographic mural entitled “Photos from Brant Hills Community Centre.” Inspired by the functions and surroundings of Brant Hills Community Centre, Limit will photograph materials associated with sports, the gym, library and materials found in the natural park surroundings of the community centre. By using the language built around commercial photography and advertising, Limit’s images document unlikely assemblages, which cause the viewer to question the motives of the imagery when placed in the public realm.


Burloak Park is now much more than a concept.

Burloak Park – Artist: Tyler Muzzin
Tyler Muzzin will create a floating sculpture entitled “The Great Dark Wonder”. The sculpture is a 1:2 scale mobile research station floating between the breakwater and the shore of Burloak Waterfront Park. Using cellphones, visitors can listen in on a dialogue between two fictional ornithologists who are eternally confined to the research station by unknown forces.

Muzzin’s installation explores ideas of the “Natural” through the lens of ecocriticism. The installation focuses on the representation of physical environments and the ways in which these environments are depicted and, in turn, consumed by mass culture.

Norton Park - mural

Norton Park, one of the most active in the city already has some permanent public art.

Norton Park – Artist: Lambchop
Lambchop will create a large-scale text installation entitled “Typographic Fencing.” The installation defines space and prompts conversation by creating large-scale text in areas where it is not expected— around the edges of parking lots, near ravines, off divided highways, around a fenced-in playground. These temporary installations are woven out of flagging-tape, a simple, inexpensive material used to mark boundaries. Squares in chain-link or vertical-bar fences become pixels on a screen or canvas, the medium for messages.

The messages are installed anonymously and removed without ceremony. By transforming large-text into large questions, aim to spark a dialogue.

Tansley Woods

Tansley Woods will be getting a “sound” treatment.

Tansley Woods Community Centre – Artist: Kristina Bradt
Kristina Bradt will create “Intersection,” a soundscape projection installed in the lobby of the Tansley Woods Community Centre. Bradt visited the facility at different times throughout the season to collect sound using a field recorder. By capturing the sounds of the activities, events and people that move through the space, Bradt captured that which often goes unnoticed.

Bradt then uses these recordings to create a large-scale floor projection that features bright, abstracted imagery that has a contemporary feel and brings a sense of wonder and curiosity directly inspired by the energy and livelihood of those who inhabit the space. What you see is the artists’ interpretation of the sound data, turned visual art.


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