By Pepper Parr
November 24, 2014
BURLINGTON, ON
It was a four event opening at the Art Gallery of Burlington as well as the announcement that Christopher Reid Flock had won the very prestigious Winnifred Shantz ceramics award for his recent ceramic work.
Christopher Reid Flock’s award winning ceramic.
Flock has been reinterpreting the root of functional objects, focusing on aesthetic contrasts and parallels between Japanese and Canadian cultural history. By exploring scale, colour and the integration of mixed media, his works have evolved into free-form shapes and sculptural constructions that evoke recognizable and classic references of traditional Japanese Ikebana arrangements and kimono-wrapping while combining aspects of western industrialization.
The Clay & Glass presents these awards to practicing early career artists who have worked professionally for fewer than 10 years prior to the date of application. The Award is intended to allow the artists to undertake a period of independent research or other activities with the goal of advancing their artistic and professional practice at a key moment in the artist’s career.
Flock began working with clay when he was 23 at the then Burlington Arts Centre. He began his career as a student studying violin and came to the realization that clay was his medium and the violin became a thing of the past.
Denis Longchamps, Director of Program for the AGB was like a proud parent when he made the announcement at the opening Sunday afternoon.
The piece that won the award is on display at the former Fireside Gallery.
Debra Kuzyk’s ceramic skunk
The four openings included Scavengers, Scoundrels and Urban Vermin; a collection of Debra Kuzyk’s ceramic work; the photography of Janusz Wrobel; the monochromatic watercolour abstractions of Warren Hoyano and the display of the award winning Flock ceramic.
Janusz Wrobel was once loaned a camera and given a couple of rolls of film, the current state of that journey was on the walls of the AGB and called “An Aqueous State”
Janusz Wrobel : “Sweet Water Sea”
Wrobel said he wasn’t trying to communicate anything specific with this exhibit but adds that he “came to believe that in our civilization, environmental predicaments could be effectively addressed only by a change of mindset by a vast majority of us.”
The locale for the photographs in this exhibit is Georgian Bay; the work of Tom Thomson and the Group of Seven are an admitted influence.
Warren Hoyano is on the other side of the Lee Chin Family Gallery.
The decision to put the two artists in the same gallery was a curatorial stretch on the part of AGB Director of Program, Dennis Longchamps and yet it works. Moving from the side of the room where Wrobel’s “Evening Amber” is displayed and crossing over – some 30 feet, to where Hoyano’s “Ache” is displayed is certainly a jump.
Not a startling one – but not one you expected to make. It isn’t jarring – but it does stretch you and that is part of what art is supposed to do for us.
In the “This Pocket of Deeds”, Hoyano, a self-taught artists, explores a known shape, the heart and overlaps it with script and gestural marks.
One piece from the Warren Hoyano, “This Pocket of Deeds exhibit at the Art Gallery of Burlington
While love is often associated with the heart shape, Hoyano chose “Void” to engage the viewer on a different trajectory.
Both artists are on display at the AGB until January 25th.
Thank you for the information on these exhibitions. Congratulations to Mr. Flock. This is wonderful that he has been given this award and his talent was first nurtured at the AGB!
I do wish that the writer had expanded with a bit more detail on Hoyano and Wrobel’s art. I will have to go and take a closer look. Is art’s purpose to stretch the viewer? Yes, I would agree. The Chin gallery is a large space in which the artists may stretch themselves. The open minded viewer may go and experience on their own.