 By Pepper Parr
August 24th, 2015
BURLINGTON, ON
When the Arts and Cultural Collective of Burlington was created it was unique and became the place to go to if you wanted to know what was happening in the arts community which had become of age in this city. Their Facebook page became a source of information that pulled the community together – and it worked
 The Arts Collective had a presence – they were making a difference – now their Facebook page is being used to sell high end sun glasses and Point of Sale equipment for restaurants. It was refreshing – they kept the membership limited – at one point you had to be referred by an existing member to get on the list. They were effective – they convinced the city to take another look at how artists were going to be treated with their contributions to the new web site – the city wanted to use picture – not pay for them and not even give a photo credit. That got changed.
The Cultural Action Plan that was researched by Jeremy Freiburger and his team over at the Cobalt Connection was a strong starting point. The Arts Collective liked what they saw but they wanted more involvement in the detail part of the cultural plans and also in the roll out in whatever was decided upon. They also wanted the final Culture Plan to include an Arts Council that would make grants available to artists.
A couple of months ago they began talking about how many members they had – and the size of the list became more important that the quality of the content.
 The younger, feistier set knew what they needed – they had done their homework – their challenge was to find their voice and make it hard. It was a moderated information source – which meant that messages that weren’t appropriate did not get posted. The person doing the moderation must have been asleep at the switch the past couple of months – there have been advertisements for high end sun glasses and then something for travel and now someone wants to sell a Point of Sale cash register system. “Perfect for any restaurant or retail business, …” using the Collective site as the advertising vehicle
This isn’t what the Collective was created to do. When it got off the ground a couple of years ago there was all kinds of really positive energy and they came up with very good ideas. They took possession of the agenda and pushed city hall to add resources to the cultural file.
They wanted to see culture moved out of the jock mentality many people saw dominating the Parks and Recreation department and they wanted to see more dollars put into the cultural field.
The province then got into the Cultural business with the promotion of Culture Week that was a decently done during its first year.
 Civic square buzzed during Culture week last year – with the increased involvement on the part of the cultural manager Angela Paparizo we may see even more activity. There are apparently all kinds of plans for Culture Week this year but there hasn’t been much coming out of city hall yet – the individual artists are promoting the events they have taking place – there is a Ping Pong and Poetry event that will take place at the new HiVe now located on Guelph Line. Local artist Margaret Lindsay Halton is running that event.
The organizational structure of the Arts Collective has always been a little undefined – personalities and ego began to take up too much space and the purpose began to get lost.
There is still time for the Arts Collective to recover – but they don’t take too much time doing it. They could and should play an important role.
There is still some very good energy within the citizen side of the arts. The Guilds at the Art Gallery of Burlington are becoming more active – management over there is expecting the guilds to be more visible and they are living up to the expectation.
 Retiring Executive Director of the Performing Arts Centre Brian McCurdy stabilized the Centre – losing him is going to hurt for awhile. A new leader will need some time to get a sense as to how the Centre and the city work. In this photograph McCurdy is briefing the Mayor on parts of his thinking The No Vacancy people will be putting on their third event in September – this time on Old Lakeshore Road basically outside Emma’s. September 17th from 7 pm to midnight.
Last year they recorded 3500 + visitors. This year the event will be called SuperNova and they think they will double last year’s attendance. They have put on the event for two years with nowhere near the funding available to Culture Week and have in the past produced much stronger more vital programs. This year, for the first time they got some funding from the city – courtesy of Councillor Marianne Meed Ward who advocated for the small grant they got.
One of the hurdles that few people see coming is the wallop the Gazette thinks the taxpayers are going to face when the real costs of the flood are going to have on the 2016 budget. Reports that have been given to Council point out a number of close to pressing amounts that are going to have to be spent real soon.
It is going to amount to millions with an expected new line on the tax bill for the management of storm water.
The cultural file just might take a hit – more money is going to have to go into infrastructure; council has been told that transit needs a lot more attention, especially when looked at through an intensification lens and the city is still salting away money to pay for our share of the hospital redevelopment.
Some tough work ahead of this Council – which is going to be difficult because all the members of this Council don’t sing from the same page in the hymnal.
 By Staff
August 24, 2015
BURLINGTON, ON
“Bring along your furry friends and join us for a day of teddy bear-themed crafts, activities and stories. Meet a “life-sized” teddy, go on a scavenger hunt and enjoy a delicious picnic! It’s a day sure to be filled with Kodiak moments” said the media release from the Royal Botanical Gardens.
 Mark the dates – August 29th and 30th from 11 am to 4 pm
There are Activity Stations open from 11 a.m. to 4 p.m.
Travelling Teddy Totes: Make your own carrying sack to collect all 6 items hidden in the garden.*
Bear Binoculars: Make your own binoculars to help you find all the bears roaming around the garden.*
Teddy Tales Treasure Hunt: Get your map to help guide you on your bear adventure. *
Little Bear’s Berry Baskets: Make your own bear basket. *
Bear Disguise: Get your face painted!
Bear County Clinic: Visit the nursing station for a teddy bear check up!
Garden Games: Beary fun for all playing giant sized games.
Big Bear Barbeque: Get yourself some snacks and refreshments. $
11:30 a.m., 1:30 p.m., 3:30 p.m.
Bear Tales: Hear bear filled stories at 11:30 a.m. and 3:30 p.m. Puppet show starts at 1:30 p.m.
12:30 p.m. and 2:30 p.m.
Teddy Bear Adventure: Join us on a hike to learn about what bears eat! Hike leaves at 12:30 p.m. and 2:30 p.m.
11:45 a.m. and 1:45 p.m.
Bear-y Special Guests
Saturday – To be announced
Sunday – Bumbling Bert & The Big Book of Magic!
An asterisk * means you can take home what you make.
$ indicates this is a paid activity.
Parking is limited at the Laking Garden. RBG is offering a complimentary shuttle from RBG Centre to Laking Garden approximately every 15 to 20 minutes between 10:45am – 4:30pm. The last shuttle is leaving Laking Garden at 4:15pm.
BUY TICKETS ONLINE NOW!
 By Staff
August 22, 2015
BURLINGTON, ON
The Intercounty Baseball League is a game away from knowing who the two finalists are going to be.
The Barrie Baycats beat the Toronto Maple leafs which makes them one of the finalists.
 The London Majors forced a seventh game against the Kitchener Panthers after their 5-3 Friday night.
Burlington dropped out of the race when they lost to the London Majors in the quarter finals.
The league has seen most of the games in this race to the final tightly matched with no one taking a series in a clean sweep.
Things have also gotten a little feisty on the field with the league suspending both players and a coach as the result of more excitement than is allowed when Kitchener played London on August 19th.
The game to determine the second finalist will be played in Kitchener at 7 pm on Saturday.
 By Staff
August 21, 2015
BURLINGTON, ON
Mark Carr got word that the program he moderates on Cogeco Cable “The Issue” was good to go for the fall.
 Cogeco’s The Issue panel: Mark Carr, host on the left with Casey Cosgrove, a guest, then former Mayor Walter Mulkewich and then Brian Heagle First show for this season of The Issue is Tuesday September 15th 8pm LIVE.
The show is interactive – twitter them at # The Issue.
The Issue is broadcast on channel 23 and channel 700 for high definition.
Carr monitors the twitter feed and bounces comments tweeted in with the panel made up of former Burlington Mayor Walter Mulkewich, lawyer and former Burlington council candidate Brian Heagle, and Deb Tymstra who has reported for Cogeco on a number of issues.
The intention is to have a guest on the panel as well. The publisher of the Gazette has been asked to take part in the panel from time to time.
Those watching the program can tweet comments and see how the panel responds.
You can agree or disagree with the panel of community/political experts live” said Carr “ and then watch to see how they respond to what you had to say.”
By Robin McMillan
August 20, 2015
BURLINGTON, ON
The Rising Sons came to be in September of 1964 in Burlington Ontario when a couple of my friends; Peter Davidson, Dave Best, Ron Canning, and Mike Kotur decided to form a band.
 The crowd at the Black Swan this weekend will remember events like this – it is going to be a blast from the past for those who managed to get a ticket – it is a sold out event. Dave, Pete and I were already good friends. Actually Peter and I knew each other in grade 5 while attending Burlington Central Public School and we met Dave there. I was transferred to M. M. Robinson High (North Burlington) in 1963, the year of the school’s grand opening. It was there that I met Ron Canning and his friend Mike Kotur, who talked me into practicing with them in the drummer position of the new group. I wasn’t crazy about this at first, but gave in and tried out.
 Robin and his Ludwigs at Skyway I was already a drummer with another band in Burlington — some of you may remember “Little Brutus and The Assassins” — but decided to pack it in because nothing was really happening. I contacted Peter, who was a fabulous pianist and organist, and Dave, who was taking bass guitar lessons at the Stan Bernard House of Music at the time. We all got ‘less than professional’ instruments and began to practice at Ron’s house in North Burlington. Of course we had to come up with a catchy name (it wasn’t easy) but the song “House of the Rising Sun” by Eric Burdon and The Animals was hot in ‘64, and it was Dave’s idea for a play on the word sun, so we became “The Rising Sons”.
 It was their first serious photo – their Mothers were proud. First Audition
Our first audition was at St. Stanislaus Church in Hamilton about four months later, but the audition turned out to be horrible. St. Stan’s politely suggested we practice hard and come back in six months for another try. The whole audition was terrible and we were pretty discouraged. Actually we felt like we were laughed out of the place. Dave thought that maybe he could talk to his father, a prominent doctor in Burlington, to back the group financially with some decent equipment. After some hard persuading, Dr. Best gave the OK and before you knew it, we were in business with the ‘best’ of everything: Fender, Gretsch and Rickenbacker electric and bass guitars, Fender amps, a Hammond B-3 organ with a Leslie tone cabinet (the ‘pipe voice’ of the electric organ), Ludwig drums with Zildjian cymbals, and a P.A. system that was second to none. When we played again at St. Stan’s a few months later, we brought the house down. The Hamilton kids had never seen anything like this before. WOW! We were really on top of our music — tight and professional, with a fantastic sound — and I was up high on a drum platform. The months of practising really paid off and St. Stan’s booked three more dances immediately, and all were huge successes. The Hamilton Spectator wrote that The Rising Sons were the ‘biggest and most popular group’ in Hamilton and surrounding area.
 It was transportation and it was what they used in those day. The 1150-CKOC Rising Sons
Soon our group was in huge demand, playing the Hamilton, Ancaster, Dundas, and Burlington area so often that CKOC 1150 radio in Hamilton approached us and asked if we would be interested in being their official “OC Busy Bees” band, and they would promote us on the air and book us for some extra dances. We were known as “The CKOC Rising Sons” and received lots of much-needed publicity pretty well every day. John Stoneham, one of their on-air disc jockeys (now a retired stuntman), usually introduced us at all of our dances.
The Toronto Market
We were pretty pleased that the band was doing OK locally, but we wanted to break into the Toronto market. It was September 1965 and, as luck had it, my father Bob McMillan was the sales manager of Elgin Ford on Bay Street, Toronto’s largest Ford dealership. Dad worked out a terrific promotion for Elgin, bringing in hot rods for a ‘racing weekend’ with the very popular new Mustangs, plus many high performance cars and racers directly from the Ford Motor Company in Detroit. Elgin called the promotion “The Elgin Ford Shindig”. The dealership spent a bundle for advertising with 1050 CHUM and CFRB 1010 as well as all the major newspapers in the city. The Rising Sons were tied into the promotion with two shows per day on Friday, Saturday and Sunday in the Elgin Ford downstairs garage area — three tremendous days.
 Robin at Burlington Central High School Thousands of people showed up. The promotion was a massive success and, as a result, we were immediately well known in Toronto. It was this quick start that introduced the Sons to booking agencies and clubs in Toronto. Our first Toronto agency was Bigland. (Later we signed with the Yorkville Booking Agency.) This breakthrough kick-started the group into a bigger market … and more money. We played all the well-known teen clubs including Ronnie Hawkins’ Hawks Nest on Yonge Street (our favourite downtown venue), Club 888 (also on Yonge St.), as well as The Gogue Inn, which had three floors of groups playing at once. If you didn’t care for one group you could go to another floor and check out another group.
Our First Recording
The Bigland Booking Agency was owned and managed by well-known Toronto entrepreneur Ron Scribner, who not only booked the Sons in and around Toronto, but also thought that we should have a record released. He booked a recording session as soon as he could at the Hallmark Recording Studios in Toronto. Hallmark had a four-track recording board, which was a big deal at that time, and it was here that we recorded “Land of A Thousand Dances” released on the Columbia label, featuring Ron singing the lead, Pete singing background, and Mike contributing lead guitar work. This record really didn’t do much, although CKOC played it quite frequently, as did some smaller radio markets in Canada. But once again we received lots more publicity in the Hamilton/Burlington region with autograph sessions in local record stores. The flipside was a song Mike wrote and sang lead on called “Don’t Look Away”, which sounded nice and easy going.
Meeting The Rolling Stones
On Halloween, October 31 1965, The Rolling Stones were in concert at Maple Leaf Gardens, and the Toronto Music Union required Canadian musicians on the scene. They asked us to attend, and Ron and I stayed backstage during the show. What an exciting night! Two limo’s pulled in with a police escort and out walked the Stones. They left for their dressing rooms for about an hour and then decided to come out and look around. Mick Jagger walked quietly to the other end of the backstage area and looked closely at a new Mustang convertible that was parked in the corner. I thought that it was now or never to approach Mick and try to get a picture with the two of us, and to try for an autograph. Everyone knew that Mick wasn’t the friendliest guy in the world, so I walked quietly up to him and in a very polite tone asked, “May I have my picture taken with you and an autograph?” And without smiling, he nodded and said “Sure”.
I knew a photographer from the Toronto Telegram (now the Toronto Sun) and it was all set up. Just a few minutes after the picture was taken a well-known Toronto radio announcer touched Mick on the shoulder and said “Hey, Mick, come here,” and Jagger quickly turned around to the announcer and tried to kick him (but fortunately missed by a mile). You could cut the atmosphere with a knife, but Jagger just walked away thinking absolutely nothing of it. About 20 minutes later Charlie Watts came out and talked with both Ron and me for about 15 minutes. Charlie was very friendly guy and talked all about cities he’d played in and said that he was looking forward to Boston the next night where he would meet some friends.
 The Rising Sons were the Standing Sons and they stood tall The 5 Rising Sons
Not sure exactly the year — I think about late 1966 — a group from California with the name Rising Suns guested on the Johnny Carson Late Night Show on NBC . The very next day a couple of CHUM’s announcers talked about the ‘Sons’ on the Carson show, thinking they were us, and how fabulous this was for a ‘Toronto group’. This caused a lot of confusion and we had to do something fast. We decided we needed to change our name, but to what? So we simply added the 5 to the name, and it worked out perfectly.
 Outside Annie’s House The Second Recording “Annie”
About a year after the Bigland scene, The Yorkville Booking Agency, operated by Bill Gilliland of Arc records, took over our group and booked us to record a new tune in 1966. “Annie Doesn’t Live Here Anymore” was a bubble gum song that suited us since we appealed to a younger audience. This 45 was also on the Columbia label. We recorded the vocals in Toronto and the music bed was recorded in New York city because they had an eight track recording studio. WOW, eight tracks!  The tune did pretty well as far as getting some air play on CHUM and other stations across Canada and in some better markets like Montreal, Winnipeg, and Halifax. This put us up a few notches, with a little more money again per engagement, and landed us as one of the 14 groups to appear at Maple Leaf Gardens for CHUM’s “Toronto Sound Show”.
Toronto Sound Show
The Toronto Sound Show was September 24, 1966. The other 13 groups appearing were: The Big Town Boys, The Last Words, Bobby Kris & The Imperials, The Secrets (“Here Comes Shack”), Little Caesar and the Consuls, The Paupers, The Spassticks, Luke and the Apostles, Susan Taylor, The Tripp, R. K. & The Associates, The Ugly Ducklings, and The Stitch-in-Thyme. There were two appearances for each group, one in the late morning and another in the afternoon or evening. Many of these groups were signed with The Yorkville Agency, and were also managed by Bill Gilliland, who was a well-known promotional guy in the Toronto area.
 Skyway near the stage About the 5th song in for each group, CHUM radio would cut in and go to ‘live air’ on-stage. Apparently there were about 12,000 kids at the first show and 20,000 for the second! It was like a Beatle concert: kids screaming and trying to get to the stage, police arm-in-arm trying to keep them back. It was an unbelievable experience for all the bands. Ron borrowed my cufflinks (worth about $30, which was not cheap in ’66) and got so excited with the crowd he threw them into the audience and watched the kids go crazy. I brought 10 pairs of drumsticks so I could throw them to the screaming crowds on each side of my drum platform, and the crowd yelled for more.
The Toronto Sound Show was Peter Davidson’s last performance with the Rising Sons, as he was off to the University of Waterloo. We really missed him, especially me, having known Pete for years.
After the show on that very night we had another booking in Belleville for 800 CLUB with DJ Dave Charles, so we had to get away as fast as we could to make the show on time. The kids mobbed us outside the Gardens and climbed all over our van trying to get autographs. We had to have a police escort for two blocks to escape. Needless to say, this show really helped us to get bigger and better audiences in the Ontario market.
The Canadian National Ex.
The Sons also played at the Canadian National Exhibition — better known as the CNE or just plain ‘EX’ — in Toronto, and we performed live many times on the stage behind CHUM’s Satellite Station, just inside the Princess Gates, and other locations around the grounds. I loved radio from about the age of 10, and I used to visit the EX just to sit, watch and listen to the radio stations in action broadcasting live, so it was a real thrill for me to be actually involved with CHUM and the satellite station.
 Robin and his Ludwigs at Skyway The 1050 CHUM and After Four
As mentioned above, 1050 CHUM aired weeks of promotion for their After 4:00 show every Wednesday night on CHUM’s Groove-yard Show with Brian “The Prez” Skinner. Weeks before the big show, Brian would pick a spokesman from each group who would be a guest on his radio show Wednesday evenings. Brian took a liking to us, and he and I really hit it off. He invited me to be his guest on his show every other week for about a month and a half, including one evening at the CHUM Satellite Station.
TV and Radio promotions
The Toronto Sound Show also helped promote our record “Annie”. All of the well-known groups that appeared on the Toronto Sound Show became frequent guests on CTV’s coast-to-coast After Four program, and the Toronto Telegram supplement with the same name gave a huge boost for all the groups every weekend. Dave Mickey from CKEY and CHAM broadcast a dance show in Hamilton called “Mickey’s a Go Go” on CHCH 11 Saturday afternoons, and The Sons guested there. We also appeared on WKBW TV in Buffalo, which led to our appearing with the Gentrys, a group from Nashville who had a big hit world-wide with “Keep on Dancing”.
There were radio interviews all across Canada with the CBC and also with many independent radio stations in different towns and cities wherever the Sons were playing. The Toronto Telegram even had a weekly Rising Sons cartoon strip on Saturdays in the After Four section during the summer of 1966. The strip was created and drawn by Kimmy Coons from Hamilton, who at the time was Dave’s girlfriend. Kimmy had managed the group in the formative years. (I was lucky enough to find one of these cartoon strips from The Hamilton Spectator, and would dearly like to find others.)
What was ‘The Village’ all about?
During the 1960s, Yorkville Avenue in downtown Toronto was the center of ‘hippy culture’ in Canada. Many of Canada’s folk musicians got their start playing the coffee houses in this area, and Yorkville flourished as Toronto’s bohemian cultural centre. It was considered by some to be the breeding grounds for some of Canada’s most noted musical talents, including Joni Mitchell, Gordon Lightfoot, Ian & Sylvia, and Neil Young. Funk artist Rick James got his start in Yorkville, as did many others. Yorkville was then known as the Canadian capital of counterculture and the hippie movement. In 1968, nearby alternative college Rochdale, a part of the University of Toronto, opened on Bloor Street as an experiment in counterculture education. Yorkville was truly Canada’s hippie heartland, full of coffeehouses, boutiques, longhairs, draft dodgers, and freaks. Yorkville was also a tourist attraction, the tourists preferring to watch the excitement from the safety of their cars.
In the village, the Beatle-haired kids, drugs and free love were rampant. But the Yorkville hippies were not all love and marijuana. They held a major sit-in protest in 1967 to protect their street from cops, tourists and fume-belching cars. They wanted to preserve their island of co-operation and love from the violence erupting in the world.
The Yorkville Years with The Rising Sons
This was the greatest and most exciting time of all for us, and more than half the fun of those early years and especially 1967 (the ‘summer of love’) was performing in Toronto in the Village. There were fantastic coffeehouses right next door to each other: The El Patio (our favourite Village club) where we played quite often, The Riverboat, The Mynah Bird, The Flick, The Penny Farthing, and The Purple Onion. We loved to eat at the Upper Crust restaurant on the corner just across the street. The great thing was that bands could play from Monday through Saturday every night, which was a great way of tighten up the act and meet people from all over North America.
Expo ‘67 in Montreal
One of our greatest and most exciting experiences was performing at Montreal’s Expo ‘67 in June of that year. We played at the Garden of Stars pavilion. The Garden of Stars was a unique triangular building in the heart of ‘La Ronde’ and featured Children’s Theatre in the morning and then ‘Action Time’ for the younger jet-set, followed by Rock ‘n’ Roll dances later in the afternoon and evenings.
Expo was divided into two sections or islands. One island had pavilions from countries around the world showing their industry and culture as well as fabulous foods. The other island was called La Ronde, where we played. This fun island had more great food plus entertainment, rides and lots to see and do for younger people. The Garden of Stars was host to many great acts from around the world. International celebrities and local acts performed there together. We were at Expo for two weeks, and I must say we were paid very well, although living expenses were extremely heavy. Invited groups would perform an afternoon show for two hours and an evening show for young people from everywhere in the world. When the show started, the floor would open up in sections with go-go dancers appearing on giant round platform stages that would rise up through the floor. Our record “Annie Doesn’t Live Here Anymore” was quite popular in Montreal on CFOX the year before, and we were guests on a couple of top Montreal radio stations.
From here it was off for a fun two-week “vacation” to play in Belleville and Brockville at the local Tiki Clubs. The owner of this chain of clubs had a fabulous ‘yacht’ with lots of food on board and BBQs on shore. He invited us into his home and us treated like kings … we loved it there. It was at The Tiki Club in Belleville that I fell for a girl name Cathie, who was sitting close to us at the front table with a few of her friends. I dated her for a few years and married her in 1971 back in Belleville.
Bruce Ley joins The Sons
It was around this time that we brought a good friend of our Hamilton days into the group. Bruce Ley lived in Westdale, a suburb of West Hamilton. He was the bass player with the Hamilton group The Pharaohs, who were extremely popular in the Hamilton and Burlington region. Bruce had a knack for singing softer songs and became the Sons organist, replacing Pete as well as Mike, who left the band shortly after we returned home from a Winnipeg performance.
Bruce wrote a song for his girl friend Jone (no, not Joan) and called the song “To Jone”. This was a pretty good tune, reminiscent of the Young Rascals, and was recorded on the new Yorkville label. It received some pretty good air play in some markets. We changed our name for this recording to “Willapuss Wallapuss” just for fun. I believe Ron got the name from an Alice in Wonderland story. The flip side was named “Sacrificial Virgin” … kind of a spooky sound with Bruce on the organ, with elephant-sounding noises in the background, a trombone, and a chair pushed across the floor, with the rest of us making all kinds of crazy noises. Bruce went on to be a songwriter for children’s shows and did very well.
The Terry Black Comeback
In late ‘67or early ’68, Bill Gilliland approached us and asked if we would be interested in having the well-known singer Terry Black join the group. Terry had some great hit songs — “Unless You Care”, “Only Sixteen”, “Little Liar” to name a few. He had also appeared on some popular American teen shows including NBC’s Hullabaloo, ABC’s Shindig, and Dick Clark’s American Bandstand.
Originally from Vancouver, Terry emerged in 1964 after winning Male Vocalist of the Year at The Maple Music Awards, and had moved to California to join Dick Clark’s Cavalcade of Stars show. After a brief stint in Hollywood — where he came so-o-o-o-o close to playing a role alongside Elvis Presley as Elvis’s younger brother — Terry returned home to Canada. Bill Gilliland signed him to Yorkville along with his arranger, Pat Riccio Jr. (who later became Anne Murray’s musical director).
The Sons didn’t really mind this change and here’s is how it worked. The Sons would play for the first set, then Bruce would take a break during the second set when Terry appeared with Pat to perform a completely different music program. Bruce would then appear again for the third set. This went on for about a year. Sadly, Terry Black died in 2009 after a struggle with Multiple Sclerosis.
 The Sons Today Pete Robin Ron Dave The End … Surprised smile
It was October 1968 when we decided that not much was really happening and not much would happen. Times had changed, music had changed, and there wasn’t much to do and few places to play that we hadn’t already done over and over. It was at this point that everyone decided to go their separate ways and try other things. Dave and Ron went back to school to improve their education. Peter was still attending the University of Waterloo. Mike Kotur went to work at Stelco in Hamilton, where his father worked. Bruce headed off to Toronto where he worked in children’s television shows writing songs. I went to work with my dad back in Hamilton and Burlington. A few years later, Terry Black co-founded a band called Dr. Music. You may have heard of them.
Dave now lives in Hamilton and I’ve returned to Burlington. Dave and I talk every now and then, and I see him once in a while. Peter lives in New Brunswick and emails me on occasion. After a stint in Niagara Falls, Ron and his long-time wife Roberta are now in Thorold. Bruce Ley lives on a ranch in Halton Hills. As of this writing, we’re still trying to locate Mike Kotur. I continue to run Rockin’ Robin DJ service and, as near as I can tell, we’ve all survived the experience and are still having a grand time of it.
It’s been 50 years since the Sons’ heyday. On Friday August 21, 2015, four of the original Rising Sons will be performing the music that made them famous. at the Black Swan – it is a sold out event. As an added treat, they have invited fellow musicians The Ragged Edges, another well known band from the same era, who will also perform.
 By Staff
August 20, 2015
BURLINGTON, ON
The Burlington Bandits didn’t make it out of the quarter finals – but that doesn’t mean Burlingtonians don’t have an interest in the semi-finals games of the Intercounty Baseball League.
 The Toronto Maple Leafs baseball team forced a game 7 after 18-6 win over the Barrie Baycats. Trailing 3-2 going into the bottom of the fourth, the Leafs scored nine runs in their half inning to blow the game open and eventually tie the best-of-seven series at three games apiece.
Toronto had six home runs in the 23-hit offensive onslaught. First baseman Jon Waltenbury and centre-fielder Tyler Mitchell each went deep twice. Waltenbury finished with six RBI and scored three runs, and Mitchell, who added a double and two singles, had four RBI and four runs.
The Kitchener Panthers are battling the London Majors; that series is tied 2-2. Game 5: Thursday, Aug. 20 @ Kitchener 7:30 p.m.; Game 6: Friday, Aug. 21 @ London 7:35 p.m. and if necessary, Game 7: Saturday, Aug. 22 @ Kitchener 7 p.m.
 By Pepper Parr
August 19, 2015
BURLINGTON, ON
Youth from across the Burlington have been invited by the 3 Things for Burlington team to hear what the Federal Election Candidates have to say about issues related to young people and to learn how a federal election works.
There will be an interactive discussion designed to ensure the politicians hear the voice of youth and understand that youth issues are important.
The event takes place Monday, 31 August 2015 from 7:00 PM to 8:30 PM at the Burlington Public Library – Central Branch Centennial Hall.
The event is being put on by 3 Things for Burlington, a youth led initiative that wants to inspire others, initiate change, and impact our community.
Free tickets can be had by clicking on the link to the left
 Their core activity is to encourage everyone in the city to take part in three kind acts each day and share your story with the group. These young people believe Burlingtonians will feel more connected to their community and to others.
When two members of the group, Bryan Giron and Chris Choi, delegated before city council they got a very enthusiastic response – didn’t see any kind act in the days that followed – maybe the concept doesn’t apply to elected officials.
Randi Minaker is the project lead with a group of teens that sit on a Steering Committee who plan all of the events, and discuss how they could better spread the word about the project.
These teens encourage every citizen in the City of Burlington, no matter age or ability, to take part in 3 random acts of kindness. Once people complete a kind act we ask that they either check out our website, Facebook, Twitter or Instagram to share their story with us.
By sharing your story with us we believe that it will inspire others to take part in this initiative. After all, 3 Things for Burlington is all about inspiring others, initiating change, and impacting community.
3 Things for Burlington has been around since early 2015, their official launch party was in July. A youth committee came up with the idea for the election related event and they were able to get funding for the project through the Laidlaw Foundation.
 Some of Burlington’s youth will be taking part in an event where candidates for federal office will be speaking directly to youth and there issues. The 3 Things for Burlington Steering Committee decided that they wanted to host a Federal Candidate Discussion for youth as one of their 3 Things. They noted that young people tend not to vote when they come of age because they are not educated enough on what their candidates stand for.
At this event, which all candidates from all parties have been invited, youth will be educated on the political platforms of our candidates, and have the opportunity to ask any questions. They will be learning about issues that directly impact youth, and how an election works.
This event is politically neutral, none of our team is a part of any political party; they have made sure that all candidates were invited.
The format will have each candidate addressing the people who show up followed by time for questions as well. They will also have a welcome package with information about the upcoming election, how it works, and other important info.
Minaker helped the teens set up the event. She works for Community Development Halton.
 By Jim Riley
August 20, 2015
BURLINGTON, ON
Kyle Tonkens uses approaches of both Performance Art and Installation Art in his most recent artwork, entitled “The Funeral Procession of the Beloved Departed”.
Performance Art is a non-traditional art form that uses two or more arts: these could be acting, painting, poetry, dance, music, etc. My own perspective focuses on the visual impact of the performance.
 Family and friends were invited to the funeral of the Dearly departed Henrietta Markham. Performance Art often uses symbolism and concepts that are difficult for some to comprehend without supplementary information. It can be like trying to read a foreign language without translation notes.
 The funeral cortege proceeded along John Street on its way to the Art Gallery of Burlington. “The Funeral Procession for the Beloved Departed” started on John Street, Burlington. People gathered in celebration of a person’s life, and participants were encouraged to recall their own loved ones. Tonkens referred to the procession being for all our beloved departed, but referred specifically to a woman named Henrietta Markham, and quoted her poetry. Henrietta was Tonkens’ grandmother. During a recent interview, Tonkens disclosed that he used Henrietta’s “voice” in presenting his own poetry. This is in accord with his belief that all things in life and death are interconnected – which is a key concept of the exhibition.
In the middle of the John Street room there was a mound of what the artist had previously referred to as “hand-bound wood rosebuds constructed of gathered sticks and bound together by jute twine and wire”. The rosebuds are painted in solid bright colours creating a colourful mound. Some guests were given neon-coloured rosebuds, or a painted parasol, to carry in the cortege.
Aaron Zukewich played music on his soulful saxophone in the room, and during the procession.
They bore the funerary mound down John Street and along Lakeshore Road to the Art Gallery of Burlington. Once at the RBC Community Gallery, the mound was gently placed with five other mounds on the floor. Those who had carried painted rosebuds and parasols from John Street placed them on one of the six funeral mounds.
Some of the mounds had darker painted rosebuds or natural wood, symbolizing those separated from us some time ago. The contrast between the brightly coloured rosebuds and the earth-toned rosebuds gave the impression of after-life energy that was still within the mound and had not yet departed.
 The mandala-like, neon-coloured wall paintings are partly mirrored by the lines on the parasols. The artist refers to the painted walls as incorporating “the flower of life pattern”. This resembles Hindu mandala symbols — geometric and very spiritual. The three mandala-like, neon-coloured wall paintings are partly mirrored by the lines on the parasols. Umbrellas with a similar appearance are suspended from the ceiling: they represent the spirits, after release from life, connected to the mounds.
The Performance Art drew a crowd of participants. Tonkens did not venture too deep into the non-traditional inter-art practices of performance art. It was intriguing how he straddled non-traditional and traditional art and their approaches to the subject. Conceptually, Tonkens is exploring complex issues that might not easily be communicated to many of those present. The cortege was somewhat like a New Orleans funeral procession, but the music played was more solemn and mournful. It felt ritualistic, in a metaphysical way.
At the AGB, the artist continued his performance by greeting and thanking the participants as one might at a funeral. Tonkens’ belief is that we should be truly grateful. What makes Tonkens’ performance differ from other memorial services is that he gave some of the audience members a gift of a small, square acrylic painting, signed by Henrietta Markham, but done in his style.
Tonkens’ giving of gifts has a sacred aspect. His use of this concept dates back to his 2013 “The Spirit of Death Watching…” performance during his No Vacancy installation. This gift-giving is reminiscent of northwest indigenous potlatch ceremonies. The purposes are similar, in emphasizing the grateful acknowledgement of major life changes such as birth, marriage and death. Tonkens’ ritualistic gift-giving emerges as the strongest element of his performance art practice.
Installation art is sculpture, but the audience is inside the artwork rather than observing from outside. The entire space of the room defines the sculpture’s boundaries. The placement of objects or people within the room is significant to the 3D composition of the work. Each person entering the gallery becomes another part of the sculpture as they walk through the installation of materials, light and colours – not intended to be explored passively from the outside edge, but actively from within.
How successful has Tonkens been with his installation?
 The parasols were carried from John Street and placed on one of the six funeral mounds at the AGB Tonkens’ suspended painted parasols with curved lines are symbiotic with the wall paintings. The suspended umbrellas integrate successfully the visually awkward ceiling fan into the installation. They break up the aerial space, adding unity to the entire experience. The installation might have been stronger if the ceiling parasols and mounds had been varied more within the room. Changing the scale and location of some of the mounds might have had more visual impact for the viewers, and easier access for closer examination of the mounds.
The RBG Community Gallery’s physical limitation makes it a challenge for installation art. It is a former café, and there are too many windows, plus a drop-tile ceiling and fans.
This installation might have been more successful if the artist had closed the blinds and used a more dramatic lighting technique on the mounds and wall paintings. The existing lighting does not adequately support the concepts. However, it might be argued that these options were beyond the artist’s control. I suspect that the AGB is working on improving this new community space, but labours under budgetary limitations and physical restrictions such as concrete walls.
The quality of art presented in the new AGB Community gallery has varied in the past from very professional works to child art, focusing on thematic community-based exhibitions. Kyle Tonkens is evolving as an emerging professional. I look forward to seeing his future presentations, as he is unique among the members of Burlington’s arts community.
Kyle Tonkens most recent performance art installation is on view at the Art Gallery of Burlington until September 13, 2015.
 Jim Riley is a Burlington-based video artist, independent curator and arts writer.
 By Staff
August 19, 2015
BURLINGTON, ON
The Maple Skate Park will be closed from Aug. 31 to Oct. 17, 2015 for park improvements.
Construction to update the park will include the installation of a new feature called a “wedge roll-in”; unveiling of the improvements is scheduled for mid-October.
 Ward Councillor Blair Lancaster and Mayor Rick Goldring put their political reputations on the line and stand on skate boards. Is there one foot on the ground there? The improvements to the park were made possible with the support of the GWD Foundation for Kids, the City of Burlington and the Maple Tribute Project community group. They raised more than $10,000 to honour the memory of Andrew McKay, an avid member of the Maple Skate Park community, who passed away in 2013.
 This is how they do it. During the closure, the City’s other skate parks will remain open. Visit www.burlington.ca/parks for locations
By Staff
August 19, 2015
BURLINGTON, ON
What do the aboriginal people have to teach us? Is there something in their teachings that can be applied to the world we live in today?\
The Conservation Halton Crawford Lake Conservation Area will be holding a series of workshops led by Anishinaabe artist, musician, activist and educator, Eddy Robinson.
 Inside the Deer Clan Longhouse – this is not the kind of dwelling the aboriginal tribes lived in. The event will take place in the Deer Clan Longhouse, a stunning modern space located within a reconstructed 15th century Iroquoian Village.
The three workshops are on: how traditional ways can be practiced in an urban world; the importance of the teachings of the drum and song in building strength and community for Anishinaabe people.
Choose from three workshop themes; Anishinaabe Drum Teachings, Anishinaabe Songs, or Urban Indigenous Ways of Knowing, or join us for all three.
These workshops offer the opportunity spend an evening learning about our collective history while joining in on music and traditions that enrich the soul.
“Through stories and song, Eddy works towards a day when the power of knowledge, inclusiveness and sharing of First Nations cultures helps our nation and all its’ people become connected and stronger.”
~ Wab Kinew (Canadian hip hop musician, broadcaster, and university administrator)
Saturday, August 22
• Anishinaabe Drum Teachings, 4 to 6 p.m.
• Urban Indigenous Ways of Knowing, 7 to 9 p.m.
Saturday, August 29
• Anishinaabe Songs, 4 to 6 p.m.
• Urban Indigenous Ways of Knowing, 7 to 9 p.m.
Workshops tickets are $25 per person (+HST). For more information or to register visit www.conservationhalton.ca/events.
Eddy Robinson is Anishinabe (Ojibway/Cree) and a member of the Crane Clan, a leadership clan for the Anishinabek. Born and raised in Toronto, he is a First Nation citizen of the Missanabie Cree First Nation. It was in the city that he found his cultural identity and got in touch with his spirituality through spending time with Traditional Healers and Elders visiting Toronto.
Over the past 20 years, Eddy has worked in Indigenous communities throughout Ontario, striving to improve the quality of life for his people. Eddy has evolved into a noted Anishinaabe artist, musician, activist and educator, and is a member of the National Speakers Bureau.
About Crawford Lake Conservation Area
Crawford Lake is located at the corner of Guelph Line and Conservation Road (formerly Steeles Avenue) 15 km north of the QEW, and 5 km south of the 401 in Milton. The pristine waters of Crawford Lake have drawn people to its shores for hundreds of years. The rare lake, with surrounding boardwalk, is nestled in lush forests atop the stunning Niagara Escarpment where visitors can watch soaring turkey vultures glide through the Nassagaweya Canyon.
 Conservation Halton is the community based environmental agency that protects, restores and manages the natural resources in its watershed. The organization has staff that includes ecologists, land use planners, engineers, foresters and educators, along with a network of volunteers, who are guided by a Board of Directors comprised of municipally elected and appointed citizens. Conservation Halton is recognized for its stewardship of creeks, forests and Niagara Escarpment lands through science based programs and services. You can step back in time and explore the 15th century Iroquoian Village that has been reconstructed on its original site at Crawford Lake. The spirits still sing in the longhouses where tools, animal hides and the smell of smoke let you experience the rich history of Ontario’s First Peoples.
 Cine Starz Upper Canada Place
460 Brant Street,
Burlington, ON
WWW CINESTARZ.CA
SHOWTIMES August 21 to 27 , 2015
VACATION 14A
Fri to Thur 11:00 1:00 3:00 5:35 7:40 9:40
SOUTHPAW 14A
Fri to Thur 1:00 3:15 5:00 7:20 9:40
INSIDE OUT G
Fri to Thur 11:15 1:15 3:15 5:15 7:20
IRRATIONAL MAN 14A
Fri to Thur 11:10 1:30 5:35
MAGIC MIKE XXL 14A
Fri to Thur 9:40
PAPER TOWNS PG
Fri to Thur 11:15 1:15 3:20 7:40
SPY 14A
Fri to Thur 11:00 1:10 3:20 5:30 7:30 9:35
TERMINATOR GENISYS 14A
Fri to Thur 11:15 7:15 9:30
AMY 14A
Fri to Thur 3:15 5:20 9:20
 By Pepper Parr
August 18, 2015
BURLINGTON, ON
Part one of a two part feature on the development potential for the city
Each city council, at the beginning of its term, meets for a number of weeks and hammers out a Strategic Plan.
That Plan sets out what the city council wants to get done during the four years they are going to serve the citizens.
There is very little in previous Strategic Plans worth remembering, except for the plan approved in 2011. For the most part they were a collection of pictures and motherhood statements.
I had the opportunity to look at six or seven previous Strategic Plans – something I doubt the majority of the current Council bothered to do. Councillors Taylor and Dennison were at the table when those documents were approved.
The Strategic Plan approved by the previous council, which was made up of the same people we have in place now, was a very impressive departure from anything done before.
Both Council and staff worked very hard – sometimes at cross purposes – to produce a document that served the city well. There were some very moving occasions when we got to hear how Councillors felt about the city they were leading.
In the closing session Councillor Jack Dennison spoke very emotionally about the need to ensure that the downtown core was given the attention and the resources needed to grow and become a large part of the focus for Burlington.
We also got to see some of the character traits from some of the Council members that were disturbing then and disruptive now.
The city was fortunate to have an excellent facilitator who not only led the group but educated several of them on what works and the way Strategic Plan development gets done.
Perhaps hoping to build on what was achieved the last time around Council set out to craft the Strategic Plan for this term of office. It is not going very well.
 It may well be 2016 before the Strategic Plan is approved. will it be as good as what this Council did in 2011? The city hired KPMG to direct them in the creation of the Strategic Plan for the current term but did not manage to get the same facilitator.
There is now a team in place that is going to do tonnes of research and bring back a large handful of options. Unfortunately,
 Georgina Black did a superb job of getting a new city council through the creation of a significantly different Strategic Plan. Councillor John Taylor loved every minute of it. Burlington wasn’t able to get Georgina Black back – she was the facilitator who did such fine work with council in 2011. Much of the work that KPMG is going to do was already being done by Frank McKeown, the Executive Director of the Economic Development Corporation. McKeon wasn’t able to attend the meeting at which all the research work KPMG is going to do was discussed.
McKeown explains that he wasn’t told of the meeting until two days before it took place and that he was already committed to be elsewhere.
McKeown adds that he had not seen the agenda. When it was brought to his attention – I think we heard him gulp. McKeown will resolve that problem and will have the needed discussions with KPMG.
The creation of the 2014 – 2018 Strategic Plan is not off to a very good start. Council will not meet on this matter until the second half of October. They will have been in office for a year by that time
There are going to be some very sticky Governance issues that do not look as if a reasonable resolution is going to be found. Despite the comments made regularly by Mayor Goldring – his is a very fractious council that is deeply divided on some critical issues.
The amount of time, attention and financial resources to be given to community based initiatives will be limited by budget constraints due in no small measure by the cost of the 2014 flood.
Some exceptional work has been done within the cultural sphere – the city now has two new people running major cultural institutions. Robert Steven is running the Art Gallery of Burlington and Susan Haines will take over the running of the Performing Arts Centre in September. Hopefully the Centre Board has retained retiring Executive Director Brian McCurdy to serve as a consultant for three to six months to oversee the transition.
The Performing Arts Centre had gotten itself to the point where it was finally stable financially and the program being offered was working. Community groups were now a real part of the program offerings. There is every reason to believe that Haines can continue the work McCurdy did and eventually grow her board to the point where she can put her own stamp on the place.
 The concept might have merit but there is no way this kind of an installation is going to work on a single lane road that is the main entrance to the hospital once the redevelopment has been done. Lakeshore Road has to be widened for the hospital traffic. The Museums have their work cut out for them but it doesn’t look as if they are going to draw on the city for financial support. There is however, some very hard thinking to be done on just what happens to the Joseph Brant Museum. The plans on the drawing board are just not going to work – someone needs to have the courage within the Museum Board to look at the facts and the changes that are going to take place on Lakeshore Road when the hospital re-development is done.
Ireland House on the other hand is a gem; it offers some exceptionally good programming.
Development: what does the city want and where does it want any development to take place – and what kind of development as well.
 Waterdown Road is being widened – a precursor to some significant development. The Aldershot GO station was named a transportation/development hub – the developers may get their shovels in the ground and have walls up before the city arrives at some decisions. There is all kinds of development taking place in Aldershot – there is some dissension amongst the more active citizens and the council member does need to learn to listen a little better. Understanding who he represents would be a useful contribution Rick Craven could make to the quality of civic government in this city.
Councillor Meed Ward continues with her, unique for Burlington, approach to involving the people she represents.
There are two areas of development that can re-shape the kind of downtown core Burlington is going to have – both are in her ward.
Before going into any detail on those two opportunities – the culture at city hall needs a closer look.
There are departments that work exceptionally well – finance is perhaps the best run shop at city hall. The team if focused and well led. They were given the task of revamping the way budgets were prepared and presented to the public and told to make personal accountability part of the way city hall does business.
 Scott Stewart and former city manager Jeff Fielding – they were quite a tag team for as long as it lasted. Fielding always let you know what was in the works – the new city manager has yet to reveal a management style. Then city manager Jeff Fielding challenged the finance department to bring about the change – then he departed for greener pastures and became the city manager in Calgary to the work that gets done.
The finance department did deliver; unfortunately there isn’t a champion on city council to ensure that the work done is continued and that staff get the direction they need.
A significant cultural change is taking place within the planning department; the hiring process for the new city planner is at the short short list. That decision may have already been made.
This is a critical choice – the department is in the middle of completing a much delayed Official Plan Review; we may not see that document until the end of the year.
 A rapt audience listened to an overview of the 2014 budget. What they have yet to have explained to them is the desperate situation the city will be in ten years from now if something isn’t done in the next few years to figure out how we are going to pay for the maintenance of the roads we have. Add in the cost of the 2014 flood and the city has a whopper of a budget to explain. Public engagement is a sorry mess – few remember the recommendations that came out of the Shape Burlington report that every member of this council heartily endorsed and then forgot about. There are reports of an initiative the city will announce in the fall that is neighbourhood oriented – it will be interesting to see the details.
The current city manager doesn’t seem to have all that much appetite for real public engagement, the communications department is asking the public what they think about City Talk, a magazine format distributed to every household, that does more for the members of city council than anyone else.
Council members love the thing; the communications department spend endless hours making revisions and the public for the most part doesn’t know it exists. There is a savings opportunity there.
Now to the development potential in ward 2.
Part two of a two part feature.
By Staff
August 17, 2015
BURLINGTON, ON
An MM Robinson grade 12 student has just completed a three week training program and taken part in a very prestigious rifle contest in Bisley, England.
Aaron Kurd, proudly represented Burlington and his army cadet corps as a part of the Royal Canadian Army Cadet National Rifle Team (RCAC NRT) competing in the Imperial Meeting at Bisley, England. This is the largest shooting festival in the nation, held annually since 1868, that attracts top marksman from all across the globe.
“The training and the potential opportunity to parachute is the reason I joined Army Cadets.” He said, “But shooting turned out to be what I really wanted to do.”
 Aaron Kurd accepting the Gold Highest Possible Score Cross presented by Major Bezanson, Officer Commanding National Rifle Team. As part of the Royal Canadian Army Cadet National Rifle Team, Aaron’s score in this competition counted towards the Highest Possible Score award, an award only given to those who earned perfect scores. Over the past 8 weeks, he scored 10 Highest Possible Score, earning the Gold Highest Possible Score Cross presented by Major Bezanson, Officer Commanding National Rifle Team.
“Being able to represent Canada, and tour around places like Vimy Ridge in France is just exactly why I joined cadets.”
Kurd, a Grade 12 student at M.M. Robinson High School, spent 3 weeks at Bisley, England competing in the Imperial Meeting hosted by the National Rifle Association of the United Kingdom. Upon his return to Ottawa, he also competed in the Ontario Rifle Association (ORA) matches and the National Cadet Full-bore Championship (NCFC).
The cadet program includes international exchanges to England, Wales, and Scotland is a free program designed to develop strong citizenship and leadership qualities for youth between the ages of 12-18. The program also aims to promote physical fitness, and stimulate interest in the activities of the Canadian Armed Forces.
 By Pepper Parr
August 16, 2015
BURLINGTON, ON
It was a wonderfully hot day but if you were at the edge of the water the breeze made it all bearable – certainly so for the hundreds of kids and their parents who had taken over Spencer Smith Park.
If you were walking along Lakeshore Road between say between John Street and the Art Gallery of Burlington shortly after noon you would have come across a procession of people carrying what might have looked like small tree branches painted vivid colours.
They were being led by a young man playing a saxophone – if you thought it was some kind of a procession – you were right – but a funeral procession?
The funeral mound of Henrietta Martin. Bit of a stretch but if you were in on the event from the beginning when it started at John Street you would have known that it was an “installation art” funeral procession for “The Beloved Departed”
There were no hymns; there was music. This was a very “white” event.
The parasols covering the funeral mound of Henrietta Markham were later used by those in the procession to the Art Gallery of Burlington. Words were spoken. A few lines from the 17th century poem “To the Virgins, to Make Much of Time” by Robert Herrick were read:
Gather ye rosebuds while ye may,
Old Time is still a-flying;
And this same flower that smiles today,
Tomorrow will be dying.
Then the procession along Lakeshore Road.
It was whimsical, it was a Kyle Tonkens piece of interactive installation art done in the memory of Henrietta Markham, who in a letter said to come from the grave, said:
In the eyes of those whose lives you’ve touched,
You are a heavenly gift.
Beautiful and awe inspiring.
By Staff
August 14, 2015
BURLINGTON, ON
We are having our share of rain – and it is interrupting what people can do in the parks
The following Sport fields are closed on Friday August 14, 2015:
Ireland D1 & D2
Millcroft D1 & D2
Nelson D1
Sherwood Forest D1, D2, D3, D4
 Sunflower field on the North Service Road east of Appleby Line Sunflower field on the North Service Road east of Appleby Line
Sunflower field on the North Service Road east of Appleby Line
By Pepper Parr
August 14th, 2015
BURLINGTON, ON
When there is a media release from Margaret Lindsay Holton we read it with both interest and anticipation – for we seldom know where she is going to come from or go to next.
Holton is a writer, an artist, a photographer and in her own way a political activist – add to each of these a passion that is usually very focused. With Holton you know you are going to have a robust conversation.
 Margaret Lindsay Holton Photo by Jeff Tessier
I recall the piece she wrote for the Gazette on a gas station attendant who put more gas than she wished to purchase in her vehicle; she wanted him to take out the portion she did not intend to purchase.
Holton’s next initiative is a film based on a published short story Holton wrote.
The Frozen Goose, first published in the critically acclaimed cross-country World War One anthology, ‘Engraved: Canadian Stories of World War One‘ , the story follows a back-woods Canadian family as they cope in the aftermath of The Great War …Their lives have been shattered. There has been Great Loss. And then – a horrific incident occurs that tests the very last shreds of their Survival Capabilities …
Holton will direct; cinematography will be handled by local photographer Mark Zelinski. The intention is to shoot in the first week of February, 2016.
The cast includes two veterans of the local stage; Leslie Gray, co-founder of Koogle Theatre Inc, and Rod McTaggart – known for his recent performances at The Burlington Performing Arts Centre and Theatre Aquarius.
Newcomers to the set include Evan Cook and the brilliant young starlet, Hannah Ralph – of Hamilton.
 Holton intends to contribute a percentage of the net revenues to support The Red Cross of Canada. “Without The Red Cross” said Holton,” life would be very bleak for many throughout the world.”
However, before the cameras can roll funds have to be raised. Holton is launching an IndieGoGo campaign which is an online approach to raising funds.
Cine Starz Upper Canada Place
460 Brant Street
WWW CINESTARZ.CA
SHOWTIMES August 14 to 20 , 2015
Films shown in red are revisions to the original schedule.
IRRATIONAL MAN 14A
Fri to Thur 11:40 1:30 3:30 5:30 7:40 9:30
PAPER TOWNS PG
Fri to Thur 1:00 3:10 5:15 7:20 9:20
INSIDE OUT G
Fri to Thur 11:10 1:05 3:00 5:20 7:20
MAGIC MIKE XXL 14A
Fri to Thur 11:15 7:40 9:45
TERMINATOR GENISYS 14A
Fri to Thur 11:00 3:00 5:00 7:20 9:35
SPY 14A
Fri to Thur 11:00 1:10 3:20 5:30 7:20 9:20
AMY 14A
Fri to Thur 1:20 5:20 9:30
I’LL SEE YOU IN MY DREAMS PG
Fri to Thur 11:10 1:15 3:40
 By Pepper Parr
August 12, 2015
BURLINGTON, ON
Now that we know a little about the three young girls in Burlington who will be taking part in the CNE Rising Star Talent contest – we can tell you something about what they are facing at this competition.
There are several hurdles these young girls have to go through to make it to the top.
 Olivia Koren on the left and Poppy Munro on the right loosen up as they get ready to take part in the CNE Rising Star event at the end of the month. They got into the competition by sending in an application with a video – judges looked at everything and invited specific people to attend.
There are 48 contestant in the Junior class and 72 in the Youth class.
The Rising Star contest is for singers and dancers. Michael Bubble, the crooner, was a winner in the singing competition many years ago
All the girls from Burlington are in the Junior class; thy are all dancers.
All the action is on the International stage at the Enercare Centre on the CNE grounds. No cost to get in but you do have to pay to get into the CNE.
 Lauren Salt’s pink cast will be gone by the time she is ready to take her place on the stage at the CNE Rising Star Talent event at the end of the month All the shows take place at 6:30 pm
Preliminary judging takes place on August 21st to the 24th
Semi finals are on August 31st and September 1st
Finals for the Junior level are on September 5th.
The contestants will be judged on their natural ability – 20%
They will be judged on the staging and showmanship of their performance; 20%
The audience will tell what they liked – 20% of their mark comes from the audience
The judges give 40% based on the quality of the performance.
The Gazette will follow their progress and let you know how they do.
By Pepper Parr
August 12th, 2015
BURLINGTON, ON
Being a kid can be fun, if you have the friends you want and really interesting things to do.
For hundreds of young girls in Burlington that fun and those friends are in the dance classes they take.
The city seems to have dozens of dance schools that have these girls burning off energy and keeping very fit.
For some the classes are recreational and for others there is a long term goal and for other it is quite competitive which leads to some travel and for three Burlington girls from two different dance schools the competition takes them to the Canadian National Exhibition’s Talent event that has taken place for the last 29 years.
 Poppy Munro will dance with her friend Olivia at the CNE Talent contest  Olivia Koren will be a contestant at the CNE Talent event Poppy and Olivia practice at Creative Dance and Lauren works out at The Dance Station where Mindy Mosey and her sister Melissa run the program at a school that has been in operation for ten years.
Lauren, a grade 7 student at St. Christopher Elementary School spends about 15 hour a week at The Dance Station where the core of just about every program is ballet. Mandy, who once danced professionally sees ballet as the core for all dance.
Olivia Koren and Poppy Munro, who will be doing a Hip Hop piece at the CNE attend different schools; one is at Tuck and the other at Central.
They are at that point in life where they believe they will be in dance for the rest of their lives.
 Lauren Salt on the parallel bar with her instructor Mandy Mosey Both girls seem remarkably at ease over the upcoming competition – something for which they have been putting in months of practice.
Tomorrow we will tell you more about the actual competition they will be taking part in.
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