The books the kids have borrowed most in 2025

By Gazette Staff

September 4th, 2025

BURLINGTON, ON

 

The Burlington Library reports on their Big Borrows stories which is now an annual tradition, as “we explore what Burlington readers are borrowing most from their public library. Now that our Kids Summer Reading Club is wrapped up for another year, it’s a great time to check our borrowing statistics to see what titles are tops with kids so far this year. Here’s what we found.”

The BIGGEST Borrows

There were 29 children’s titles borrowed at least 70 times, for a whopping 2,433 total borrows

“We’re so impressed with the incredible enthusiasm our young customers have for reading this year! The breakdown of the most borrowed physical books (includes children’s fiction, graphic novels, children’s readers & pre-readers, and picture books) goes like this: five titles were borrowed 100 or more times; three titles were borrowed 90-99 times; six titles were borrowed 80-89 times; and 15 titles were borrowed 70-79 times—that’s 29 children’s titles borrowed at least 70 times, for a whopping 2,433 total borrows January through August!

“And here’s the best thing: the kids exceeded last year’s numbers—by a lot. From January to August 2024, BPL members borrowed 37 children’s titles at least 50 times for 2,256 total borrows. In comparison, if we counted children’s physical titles borrowed at least 50 times since January 2025, they would number over 100, with nearly 6,800 total borrows. Wow!

“Let’s take a look at the books that are inspiring these super-readers.”

Top Children’s Fiction

“Not surprisingly to us, Jeff Kinney’s Diary of a Wimpy Kid series saw lots of check-out action, with Diary of a Wimpy Kid Double Down taking top spot with 125 borrows and Cabin Fever (tied with a Dav Pilkey graphic novel) at #3 with 103 borrows. Fifteen books by the author landed in the top 20 children’s fiction titles borrowed since January.

“Respectfully removing Kinney’s titles from the list since they are always mega-hits with the kids, here are the most borrowed physical children’s fiction titles so far this year, each with 50 or more loans.”

Harry Potter and the Philosopher’s Stone by J.K. Rowling

The Wild Robot by Peter Brown

Harry Potter and the Chamber of Secrets by J.K. Rowling

Harry Potter and the Prisoner of Azkaban by J.K. Rowling

Geronimo Stilton. The Haunted Castle by Geronimo Stilton

Harry Potter and the Deathly Hallows by J.K. Rowling

Dork Diaries. Tales from a Not-so-Secret Crush Catastrophe by Rachel Renee Russell

Diary of a Pug. Pug Blasts Off by Kyla May

Dragon Masters. Power of the Fire Dragon by Tracey West

Harry Potter and the Order of the Phoenix by J.K. Rowling

Dork Diaries. Tales from a Not-so-Happy Heartbreaker by Rachel Renee Russell

The Wild Robot Escapes by Peter Brown

Harry Potter and the Half-Blood Prince by J.K. Rowling

Magic Tree House. Soccer on Sunday by Mary Pope Osborne

Harry Potter and the Goblet of Fire by J.K. Rowling

The Wild Robot Protects by Peter Brown

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Sgro family creates the Lindsay’s Loves Fund with Community Foundation

By Gazette Staff

September 4th, 2025

BURLINGTON, ON

The Burlington Community Foundation (BCF)  today announced a transformational gift commitment of $1 million from longtime Foundation supporters and Burlington residents Ralph and Susan Sgro.

These funds will support a new donor-advised fund, the Lindsay’s Loves Fund, created in honour of the Sgro’s late daughter, Lindsay (Sgro) Bridge, who passed away in 2024 at the age of 44.

Lindsay had an unmistakable enthusiasm for life that brought people together. Her deep love for the arts and the Burlington community remains a hallmark of her life and an enduring part of her legacy.

Lindsay (Sgro) Bridge

“Through ‘Lindsay’s Loves,’ charitable causes that she championed will continue to be supported, with a special focus on providing children and youth with access to art programming,” Susan said.

The fund will also support well-being for families and children.

A dragonfly, the symbol of this legacy fund created by the Sgro family in Lindsay’s honour, beautifully reflects her spirit. Dragonflies represent change, inspire creativity, keep dreams alive, and remind us that anything is possible.

“BCF guided us through this journey with compassion and thoughtfulness,” Ralph said. “They took the time to understand our vision and provided the support and structure we needed along the way. Through BCF, we were connected with many meaningful organizations that can now be supported through the Lindsay’s Loves Fund.”

The Sgro family

The Sgros, retired owners of McDonald’s Restaurants in Burlington and Waterdown and current owner, their son Ryan Sgro, have long been generous supporters of charitable causes. Since 2007, the Sgros have been fundholders at BCF, with Susan serving on the Foundation’s Board of Directors for six years, including a term as Chair from 2004-2006.

In 2014, the couple was named Philanthropists of the Year by the Foundation.

“We are honoured to receive this gift from the Sgro family and partner with them to honour the legacy of their beloved daughter, Lindsay,” said Megan Tregunno, Foundation CEO. “Thanks to their generosity, numerous children will benefit from access to activities that Lindsay loved.”

The fund is expected to provide its first grant later this month.

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One Can by Laura Button to be featured at Different Drummer

By Gazette Staff

August 30th, 2025

BURLINGTON, ON

 

On Sunday September 7, 1:00 pm, LANA BUTTON introduces One Can at A Different Drummer Books – 513 Locust Street Burlington

Admission Free

Our brilliant friend Lana Button, award-winning creator of delightful stories to help young people learn, visits us with her new picture book, written in collaboration with Eric Walters and illustrator Isabelle Malenfant, a moving story of community and helping families in need, One Can.

“The text is finely tuned to a child’s understanding…the focus is on considering what the recipient needs, and what we can give. A perfectly calibrated introduction to the concept of economic differences.” —Kirkus Reviews

 

 

 

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Bud Light Buckle Up Tour - James Baker and his band will be in town in October

By Gazette Staff

August 27th, 2025

BURLINGTON, ON

 

Known for their hits “Chills,” “Keep It Simple,” “Lawn Chair Lazy,” and countless others, Ontario-based James Barker Band is proof that big dreams can grow from small-town roots. Fueled by friendship, grit, and a shared love for storytelling, this band has gone from local dive bars to headlining stages around the world, amassing millions of global streams, multiple No.1 hits, and the devotion of fans along the way.

Don’t miss them perform live at BPAC

Special guest Kalsey Kulykwill be with them.

Wednesday, October 22, 2025, at 7:30pm

Tickets

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What is open and closed at the City of Burlington on Labour Day

By Gazette Staff

August 27th, 2025

BURLINGTON, ON

If the photograph below, taken early this morning, is any indication, we are going to have great weekend weather.

Here is what will be open on the city side of things:

City of Burlington administrative services will be closed for Labour Day on Monday, Sept. 1. For a list of which City services and facilities are available on the long weekend, please see the summary below or visit burlington.ca.

Fireworks reminder
Fireworks are not permitted to be set off on Labour Day. The City’s bylaw allows family (low-hazard) fireworks to be set off on Canada Day and Victoria Day only. More information about who to contact if you have a personal safety concern related to the use of fireworks is available at burlington.ca/fireworks.

City Service Holiday Closure Information
Animal Services The Animal Shelter at 2424 Industrial St. will be closed to appointments on Monday, Sept. 1. To report an animal control related emergency on a holiday, please call 905-335-7777.
Burlington Transit Burlington Transit will operate on a Sunday schedule on Monday, Sept. 1. For real-time bus information and schedules, visit myride.burlingtontransit.ca. Customer Service and Specialized Dispatch will be closed on Monday, Sept. 1.
City Hall Service Burlington and the Building, Renovating and Licensing counter on the main floor of City Hall at 426 Brant St., will be closed to all appointments and walk-in service on Monday, Sept. 1.

Many service payments are available online at burlington.ca/onlineservices. If your request is urgent, call 905-335-7777 to connect with the City’s live answering service.

For online development services, MyFiles can be used by residents who have applied for Pre-Building Approval. Check the status of Pre Building Approval applications at burlington.ca/MyFiles.

Halton Court Services – Provincial Offences Office Court administration counter services at 4085 Palladium Way will be closed on Monday, Sept. 1.

Except for the Labour Day closure, telephone payments are available at 905-637-1274, from 8:30 a.m. to 4:30 p.m., Monday to Friday. All in-person services are available from 8:30 a.m. to 4:30 p.m. Monday to Friday. Many services are also available by email at burlingtoncourt@burlington.ca or online at Halton Court Services. Payment of Provincial Offences fines is available 24/7 at paytickets.ca.

Parking On Sunday, Aug. 31 and Monday, Sept. 1: Free parking is available downtown, on the street, in municipal lots and in the parking garage (414 Locust St.).

On Saturday, Aug. 30: Pay parking downtown is required in high-demand parking lots (Lots 1, 4 and 5) and all on-street metered parking spaces. A three-hour maximum is in effect for all on-street spaces. Free parking is available in the remaining municipal lots and the parking garage (414 Locust St.).

NOTE:

  • The Waterfront west parking lot (1286 Lakeshore Rd.) does not provide free parking on holidays
  • During Ribfest, the Waterfront east parking lot is designated for accessible permit parking only. The fine for parking without a valid accessible permit is $400.
  • Paid parking is in effect at Beachway Park (1100 and 991 Lakeshore Rd.) on weekends only (including holidays) and at the Beachway overflow lot (Lakeshore Road and Willow Avenue) using HONK Mobile
  • Parking exemptions or City-Wide Parking Permits are required to park overnight on city streets and for longer than five hours. Visit bylaw.burlington.ca for parking exemptions.
Recreation Programs and Facilities Drop-in swimming and other drop-in recreational activities

  • Nelson Pool and Splash Park (4235 New St.), Mountainside Pool and Splash Park (2205 Mt. Forest Dr.), and LaSalle Wading Pool and Splash Park (50 North Shore Blvd. E.) are open for swimming all weekend and on Labour Day, Monday, Sept. 1 (weather permitting)
  • Outdoor pool lap swims and recreational swims are walk-in only, with no reservations
  • Indoor pool swim schedules vary over Saturday and Sunday. Indoor pools are not open for drop-in swimming on Labour Day, Monday, Sept. 1
  • Monday, Sept. 1 is the last day of the swimming season for LaSalle Wading Pool and Splash Park.
  • Tuesday, Sept. 2 is the last day of swimming for Nelson Pool and Splash Park.
  • Daily swimming continues at Mountainside Pool and Splash Park through Sunday, Sept. 7.
  • Appleby Ice Centre has a variety of drop-in skating programs on Saturday, Aug. 30

Please visit burlington.ca/dropinandplay for schedules. Please note, some locations may be impacted by annual maintenance closures – see locations.

Splash Pads

The City’s 10 splash pads, located throughout the city, are free to use and will remain open until October. To find a splash pad near you, visit burlington.ca/splashpads.

Outdoor Activities
Burlington has a wide variety of outdoor activities to enjoy with your family during the long weekend including:

  • trails and multi-use paths
  • parks and playgrounds
  • picnic site reservations for La Salle Park (50 North Shore Blvd E.) or Hidden Valley Park (1137 Hidden Valley Rd.)
  • pickleball court reservations at Palmer Park (3409 Palmer Dr.), Tansley Woods Park (4100 Kilmer Dr.) and Leighland Park (1200 Leighland Rd)

Find out more at burlington.ca/outdoorplay.

Golf

Tyandaga Golf Course tee times can be booked online at tyandagagolf.com or by calling 905-336-0005, ext. 2.

Play Lending Library

Our Lending Library has a variety of outdoor and indoor play equipment available to borrow at no charge. Equipment pickup is on Thursdays, and return drop off is on Tuesdays at Haber Community Centre (3040 Tim Dobbie Dr.). Borrow lifejackets for the family for the long weekend, add some fun outdoor games to your Love My Neighbourhood event, or try out a variety of play equipment. Learn more at burlington.ca/playlending.

Customer Service
Recreation, Community and Culture customer service is available to assist you in person at recreation facility counters during program times.

Customer service is also available over the long weekend:

Roads, Parks and Forestry The administrative office will be closed on Monday, Sept. 1. Essential services will be provided as required.

 

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Never the 51st: A difficult play, about difficult issues, with some remarkable performances.

By Pepper Parr

August 23rd, 2025

BURLINGTON, ON

 

It is a difficult play, about difficult issues, with some remarkable performances.

 Never the 51st State is about Two Bridges; Two Nations and Two Invasions.

It is running at the Staircase Theatre in Hamilton this evening, Sunday and again on the 28th, 29th and 30th.

It is not a funny play, but there are a lot of lines that will earn more than a chuckle from the audience..

It draws together the challenges facing the situations in Canada that has a border threatened by its closest neighbour, ally, and trading partner and the invasion of Ukraine by Russia and the ongoing bloody battle.

Maria Zaichenko, a Ukrainian citizen currently living in Canada while her husband serves on the front lines, plays the part of a Ukrainian soldier defending her country.  She visits with her husband frequently.

Maria Zaichenko, a Ukrainian citizen currently living in Canada while her husband serves on the front lines in Ukraine. 

For Zaichenko the play is very personal. She heard of the production through friends in her church community and felt a strong desire to be a part of it.  “I went to the audition and gave it my all.” For Director Rivers, having Zaichenko on stage gave his production a level of authenticity he didn’t expect.

Emily Bolyea, has two roles in the play: a municipal council member who all too painfully represents what Ontario has in the way of municipal Councillors and later in the play as the wife of General Hull, finding that she has to stand up for her husband, who can no longer stand up for himself.  She excelled in both roles.

Tecumseh, played by Derek Groulx, a member of the Mohawk tribe that is part of the Iroquois Confederacy, has a withering few words for General Brock when he responds to a  Brock remark about the residential schools.  As Tecimseh, he is consistently stoic while attempting to tolerate what is taking place.

Ray Rivers as American General Hull, opposite Emily Bolyea who plays Hull’s wife.

Rivers, who wrote and directed the play also plays the part of American General Hull, who basically gives up any effort to defend Detroit in the War of 1812.  Rivers conveys a tired old man who just wants to go home.  He didn’t want the job in the first place. Rivers uses body language to great effect.  The wife was the one with the words.

There is a lot of history in this play. Much that will be new to many in the audience.  Rivers did an excellent  job of researching the background.

While not a native of Ukraine, Rivers has a lineage that includes the country that he has visited several times and taught English to Ukrainian students.

The Canard River Bridge was a strategically vital choke point in the 1812 war’s early stages. It controlled access to Detroit.The bridge that was never defended by the Americans allowing British soldiers to take Detroit. After much debate in 2012, the bridge was named the Hancock-Dean 1812 Bridge to Nationhood.

Images of two bridges, the one in Canada at which the fate of Detroit was determined in the war of 1812 and a bridge in the Ukraine that had to be held if the Russian advances were to be stopped: both bridges serve as the backdrop for what is taking place.  The bridge in Canada is still in place.   Few realize the significance of the structure and the role it played in the war of 1812,

The bridge in Ukraine was something that had to be held if the Russians were to be stopped. Holding proved to be impossible – so the Ukrainians blew it up.

The play doesn’t present any resolutions, but it does set out the challenges Canada faces with a President that is both unpredictable and capricious

Tickets available through Eventbrite.

The play was produced by the Classical Theatre Company, an amateur group active in the Ancaster and Hamilton communities.

Use of four huge LED screens that provide different backdrops for various scenes describing the setting – who is on the stage, what they are doing and where and  when it is taking place, proved to be very useful.

The production had a $4000 budget – profits, if there are any, will be distributed amongst the cast members.

The producers of the play will be donating the LED screens to the Staircase Theatre. They were used very effectively in this production

Never a 51st State will leave people thinking about what the cast had to say about the future of Canada’s relationship with the United States, and how the war in Ukraine will eventually be decided.  Today Ukraine peace seems out of reach.

Maria Zaichenko wants to go home.

 

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Ford Claims to be Unaware of the Concern with the Decision to go Forward with the Building of a park at Ontario Place.

By Pepper Parr

August 22nd,  2025

BURLINGTON, ON

 

Premier Doug Ford said earlier this week that he was unaware of any financial concerns with the funding of the $800 million theme park that he wants to see built at Ontario Place.

95 year lease with nothing in the way of public consultation. Ford just does it – land grabs, a tunnel under the 401, and now this – while 700,000 people are looking for jobs and the government consistently fails to meet housing targets.

The Ford government has signed a controversial plan to place the 145 acres on a 95-year lease with the Swiss mega-spa builder Therme Group without public consultation or environmental assessments.

Trees are ripped from the ground to make way for a playground.

Construction has already begun, with trees ripped out on the west side of the site.

Ford is playing with the truth.  He may not have read anything published about the potential financial problems – but he has staff who pay very close attention to issues that could become problems.

Ford’s position is – it is going to be built and it is going to be great.

He is big on the blustering stuff.  Mouth moves – brain doesn’t engage kind situation.

And that is unfortunate for a number of reasons.

Doug Ford – Premier of a province.

Leaders set examples.  Heck if the Premier doesn’t tell the truth – then I don’t have to tell the truth.

That kind of behaviour erodes public trust – very hard to get it back once it is lost.

At the political level they all do it – and we let them continue by electing them.

A close look at the facts: housing prices – rents – and unemployed young people.  These are facts and they need to be addressed.

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A Merry Myth Tour at Performing Arts in December

By Pepper Parr

August 21st, 2025

BURLINGTON, ON

 

Serena Ryder is bringing her Merry Myths Tour to Burlington in December.  Special Guest Lydia Persaud will be with her.

Wed, Dec 17, 2025, at 7:30pm

Ryder and her Merry Myth Tour – in December

This holiday season, acclaimed Canadian artist Serena Ryder invites you on a musical journey into the heart of the season’s most beloved traditions with Merry Myths – a festive concert inspired by the folklore, stories, and symbols that shape our ideas of the holiday season.

Serena blends timeless holiday classics with her signature soulful songs. With powerful vocals, joyful energy, and heartfelt storytelling Serena creates an unforgettable evening that celebrates connection, community, and the magic of the season.

Tickets are on sale to Members now! Preferred seating will be held for Gold and Platinum Members until Thurs, Aug 21 at 4:00pm.

Tickets will go on sale to the general public on Sat, Aug 23 at 12:00pm.

 

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Local playwright described as 'fearless' - play opens at the Staircase on Thursday

August 20th. 2025

BURLINGTON, ON

The following was first published in the Hamilton Spectator

Ray Rivers is fearless.

The local playwright wrote “Never the 51st State” as a warning. It’s a shoutout to any state or country facing a big bully living just next door.

Peter Anderson in “Never the 51st State.” Photo credit: Gwen Gilhooly

“It’s a warning about the dangers of getting too close to a neighbour who has expansionist designs,” Rivers says. “There is a phrase that best summarizes things. ‘Good fences make better neighbours.’”

Rivers, who wrote and directed the play – also played a bit part.

Originally Rivers’ title was “Bridges to Nationhood,” since bridges feature prominently in the text of his drama. It’s been changed however to emphasize the fact the play is more of a cautionary tale than Rivers ever suspected.

“I started writing this play about a year ago, before the current hostility between Canada and the U.S.A., but the story has become more relevant in today’s context.”

Rivers’ play is about a smaller nation defending itself from the aggression of a larger neighbour. Sound familiar? And as events in America’s economic war on Canada started evolving, Rivers’ play grew even wider in scope.

“Whether we’re talking about Canada, or Ukraine, neighbours can be threatening,” Rivers says.

That’s the truth at the heart of Rivers’ play. And that’s the thing that makes it so frightening.

A new work produced by Hamilton’s Classical Theatre Company, “Never the 51st State” is a double-hinged story.

“The first act is about the War of 1812,” says actor Peter Anderson. “It’s about two soldiers who find themselves intoxicated under the River Canard Bridge in Windsor. They wake to find they have been abandoned by their battalion and are facing several hundred American soldiers coming to occupy the bridge. In their drunken, hungover state they don’t run, or raise a white flag, they pick up their guns and start firing.”

Anderson’s character, John Dean, is one of the two renegades.

“He evolves from being a gritty, snivelling, ruthless fighter, to someone compassionate and caring.”

The two actors play low ranking low-ranking British soldiers who fought in the War of 1812. Peter Anderson on the right and Nicholas Ruddick on the left.

“These two men, low ranking British soldiers, defended the initial invasion by the Americans in the War of 1812-1814,” Rivers adds. “It’s a story of a smaller nation defending itself from the aggression of a larger one. We have researched the circumstances in the story and we have adhered to the facts as we know them. But because it’s a story for an audience, some literary licence exists.”

Act 2 of Rivers’ play takes a sudden leap to today and the war between Russia and Ukraine. How these two stories dovetail with amazing significance is what gives “Never the 51st State” vital dramatic connection.

“The overriding theme is the current American tariff aggression and the state of Canadian-American relations today,” Rivers says.

But there is much more.

“The play deals with humanity, politics, history, social dynamics, love and romance, and the power of believing in yourself and your country,” Anderson adds.

Rivers is quick to say this is not his own personal story.

“It’s not about me. My grandparents were Ukrainian immigrants, and I have distant relatives there. I have visited and taught language and culture in the school system there. But recounting history is best done with personal feelings on the sidelines.”

Anderson is bullish on River’s play.

“People should come see the play to gain a better appreciation of Canada as an independent nation with a rich history of standing up for that independence in the face of American adversity. Today’s tension is based on America looking beyond its borders to see what they want, and what they can take without asking,” Anderson says.

“The current American government,” he continues, “feels that Canada’s rich resources, including minerals and water, are well within their grasp, so it may only be a matter of time before real conflict becomes inevitable. This play highlights the need to take that threat seriously and to stand up for our country and the nation we believe in.”

Mariia Zaichenko, a Ukrainian citizen, is living in Canada. Her husband is serving in the Ukrainian armed forces. She took a break from preparing for the production to visit her husband last week.

It is produced by Anderson and Donald Cudmore and features a strong cast of community theatre players, including Valerie Kay, Julian Nicholson, Emily Bolyea and Nicholas Ruddick. It’s directed by Rivers and will use video projections to create the world of the play. It also features Ukrainian actress Mariia Zaichenko who moved to Canada three years ago.

“My husband has been a volunteer since 2014. When the full-scale invasion began, he joined the territorial defence forces. In 2025 he was called to serve and is now part of the Azov unit. It’s a difficult time, but I’m proud of his courage and dedication,” she says.

Zaichenko talks about the role she plays in Rivers’ drama.

Peter Anderson opposite Mariia Zaichenko

“I play a soldier, a woman who after the full-scale invasion began, made the difficult decision to defend her country. She’s a symbol of strength, sacrifice and the painful choices many Ukrainians have faced, especially women. The play is important for Canadians to see because it brings the human side of the war to life. It’s one thing to read the news, but another to feel someone’s story through theatre. The play is deeply personal to me. It gives me a way to process emotions and connect with others. A play like this one helps me turn pain into purpose. It’s healing in a way. It’s not just a script. It’s part of my lived experience,” Zaichenko says.

How the play encompasses its War of 1812 setting and the horror of the current Russian aggression against Ukraine is something that gives Rivers’ work a timeless sense of universality.

Is Rivers’ play a history lesson? Yes, it certainly is. “But it is also a drama and a love story,” Rivers is quick to add.

“The play encompasses valour and passion, including romance,” Anderson says. “We want to bring Canadian history and culture to the hearts and minds of audience members, to make them feel emotionally connected to this wonderful country we live in. In times like these, with war and neighbouring threats all around us, we need a show that displays our cultural and military history in a powerful way.”

The production opens at the Staircase Theatre on Thursday – runs through to August 24th, and the returns on August 28th and runs to the 30th

Ticket sales are being handled by Eventbrite. Click here to place your order.

The full cast – preparing for their final bow.

Along with being a playwright, a director and an actor, Ray Rivers is a Contributing Editor for the Burlington Gazette

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Understanding Orange Shirt Day - what it means and why we recognize it as a special day.

By Gazette Staff

August 20th, 2025

BURLINGTON, ON

The designs are often different – the message is always the same.

Indigenous educator Kate Dickson returns to Burlington Public Library to discuss Orange Shirt Day and its direct connection to the National Day for Truth and Reconciliation. Each year, September 30 holds historical significance acknowledging over 500 years of colonial oppression and discrimination of Indigenous people in Canada. This no-holds-barred presentation will have a positive conclusion that outlines what we can do to change the narrative and stresses Every Child Matters. Due to the subject matter, young people may attend at the discretion of parents but it is recommended that participants be 16 years and older.

Kate welcomes thoughts and questions in addition to the respect and energy attendees bring to the talk. Participants are invited to wear an orange shirt if they have one.

About the Author

Kate Dickson, Coast Ts’msyen First Nation, Elder, Pacific Northwest British Columbia.

Kate Dickson, Coast Ts’msyen First Nation, Elder, Pacific Northwest British Columbia – Lax Kw’alaams Band, Royal House of Niis’gumiik, Giluts’aaw Tribe, Gispudwada Clan (Orca), is a notable speaker on the culture, history, spirituality, and justice issues of Indigenous people, and a singer, drummer, storyteller, and writer. A retired secondary school vice principal and teacher, she was one of the first Indigenous educators to teach full semesters of pan-Indigenous history, bringing accurate, unflinching truths to her students. She stays engaged in the arts and is a singer with the Red Cedar Sisters.

Tuesday, September 30
7:00pm – 8:30pm

There are just 55 seats left.  Events like this go quickly – Register now.

 

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Theatre the way it's not be seen before - Never the 51st State

By Pepper Parr

August 18th, 2025

BURLINGTON, ON

UPDATED: Correction made to the dates the event is running at the Staircase Theatre: opens this Thursday Thursday and runs through to the 24th, then again from the 28th to the 30th

Big week for Ray Rivers and the cast of Never the 51st State, which opens at the Staircase theatre on Thursday and runs through to the 24th, then again from the 28th to the 30th

Ray Rivers, on the left, wrote the play and is directing the cast – plays a part as well.

For those who attend they will be part of a unique approach to live theatre.

Not going to tell you any more than that.

The costumes are superb.

The cast looked great at the rehearsals.

The approach to this piece of theatre is very interesting – it will be interesting to see when it is live.

The female lead, who is not in the scene with these three combatants, is just back from a short visit to Ukraine, where her husband is serving in the army. Her role brings both an immediacy and a poignancy to this production.

Differences are worked out on the stage.

The full cast practicing their thanks to the audience.

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The Great Disconnect: We are truly essential we are to one other

By Gazette Staff

August 19th, 2025

BURLINGTON, ON

 

The Great Disconnect is a documentary that features Canadian voices, asking the questions:

“Can we be individualistic and communal?”

“Is it possible to overcome our modern culture of disconnectedness and rediscover how truly essential we are to one other?”

The film explores themes around how isolation and conversely connection are critical health issues.

Join Community Development Halton (CDH) as we celebrate 41 years of connecting community as we offer a screening of The Great Disconnect, followed by a panel featuring local research, solutions and shared stories from CDH members about how we bridge disconnection to belonging in Halton. The panel guests include:

·         Elizabeth Wells from Our Kids Network

·         Steven Barrow from CDH

·         Hanadi Al-Masri from HMC Connections

·         Michelle Sparling from Just be You

The event is free but registration is required. Click HERE to register

We hope to see you in September 9th. Doors open at 5:30pm with refreshments. The program begins at 6:00pm.

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Strong support for the Sound of Music on Social Media

By Gazette Staff
August 16th, 2025
BURLINGTON, ON
Social media has given people an opportunity to say what they think on major community issues.
A Burlington resident who lives in a Lakeshore Road condo that over looks Spencer Smith Park posted a question on Facebook about funding the Sound of Music.
Here are some of the responses:

Candy Multamaki

Charge $5 per person for entry. Small enough to be affordable but enough to help with costs.

Dave Gionet

Try reaching out to streamers on X/Twitter. A lot of people on there don’t mind contributing to events they can stream with their proceeds. Try reaching out to schools for garbage pick up or minor volunteer work because students need to have so much community service hours put in. My parents did this for students when they were running a walk-a-thon in Hamilton for a bunch of years.

Helen Pellow

Suggestions: Electronic artists. This is recently been added as a category at The Juno Awards. It is popular. Another category to be added is Latino music. One more idea is traditional bluegrass music. Correct me if I’m wrong but I did not see any of these styles on this year’s SOM schedules.

Samantha Maddison

For me it is about accessibility. It just isn’t feasible with a walker or wheelchair. I too would pay for more appealing line up with accessible ease. In this changing climate cooling areas and stations would be welcomed.

Kim Lalonde

Bring back street closings and street festivals, was just talking to a,retailer on Brant Street who did half in sales compared to last year. The street festival part of Sound of Music was the best.

Laura Wayne

I attended a symposium this year that discussed the future of music venues, large and small, in Toronto. Two of the key things that were noted by the presenters / experts are that too many people put their noses up at the thought of paying a cover fee to enter the venues when live music is being performed. As well, that alcohol sales are way down due to the cost to the consumer and cannabis now being legalized (and not for sale at the venue). I for one have no issue paying a reasonable cover charge when I know music I am interested in listening to is being performed. I do not have a solution to propose, but those are two of many issues that were discussed.

Kurt Sorensen

Partner with Rotary and merge with Ribfest, perhaps without the ribs and let the focus be local music with miscellaneous food options.
Sound of Music>Ribfest

Mark Langlois

I was at the free kitchener Blues fest over the weekend. Looks like that event is thriving. Might be worth organizers to reach out to other successful events to see what they do differently.
Cogeco Ontario  what happened? Support your city

Donna Dmd

It was better when it first started. Closing the streets & having various types of music in different areas.
Go local. Get back to basics. Not every band needs to be a head liner.
Get a good fundraiser. There are numerous businesses in Burlington.
Ditch the fence, that is suffocating & hard to get out.
Find a better park, with parking.
Keep it free – by donating at entrance with whatever one can afford. $1.00 / $2.00 etc…

Joseph Whiteman

Im on the charge bandwagon, wouldn’t go higher then 20.00. That’s what the biggest Canadian festival charged, the sars benefit cost. Also, When I was there this year. I was also sad seeing no street festival. Maybe that could come back as well. Music wise it hasn’t been too bad, but putting all music in one place with the two stages, with staggered times. This would cut some cost.

Alisha Mcmaster

Do what Oakville used to do. Charge a small fee for a weekend pass but allow the pass to give access to public transit to get down there as well. Anything on the side streets remain free but anyone wanting to go get in on the actual concerts have to pay.

Jimbo Jones

How about moving from Burlington to Hamilton

Les Gidge

For the people that want this festival to live on and others as well pay what you can afford for a entry fee.. that would help with keeping the festival alive ❤️

Samantha Maddison

What if you were to downsize the event but go over more days?
Top fan

Ted Bullock

What happened to Tim Hortons as a sponso

Elizabeth Smith Babcock

I think we should do a go fund me and anyone who’s ever been will donate.
Top fan

Nel PM

Love this festival

Susan Lord

It’s got to crowded. I used to enjoy it.

Rebecca Bowen

Absolutely start selling tickets/wristbands ($10 per person for a weekend of fun, will add up on your end). Oakville used to have the Waterfront festival. You purchase a button and with that came your entrance and free bus transportation all weekend. People will pay. I respect that you hold so high being a free festival, but free is in the past (unfortunately). SOM is Burlington. People will pay. Good luck!
Broad range of views .  Are the Sound of Music people listening?
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Where is the SoM Business Case - it was due June 1st ?

By Pepper Parr

August 14th, 2025

BURLINGTON, ON

 

First, there was the Mayor’s Statement on the Sound of Music (SoM: it was iconic (a much overused word) then there was mention of the legacy and lots of good feeling words.

Later on the same day – Dave Shepherd released a statement on how dire things were for the Sound of Music (SoM) and that if there wasn’t any sponsorship, the event didn’t have much in the way of a future.

The Mayor set out the kind of money the city was putting into the event – not all that much – especially when you take into account the different fees the SoM had to pay the city.

What didn’t get mentioned was the business plan the SoM was required to submit for 2026 event.   That was due June 1st, 2025

Producing the business plan was one of the conditions attached to the $225,000 the city loaned SoM to get the 2025 event off the ground.

What we are seeing is a lot of running around like chickens with their heads cut off – precious little in the way of a solid document put together by people who understand marketing, understand the music business and know how to get all the relevant data onto a spreadsheet that they then analyze.

Related news story:

Mayors Statement

Sherherds’ plea

What is really needed

How do you lose money with crowds like this?

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Sound of Music needs some hard nosed business thinking and understanding the new reality

By Pepper Parr

August 13th, 2025

BURLINGTON, ON

 

Do you get the impression that Sound of Music (SoM) is scrambling?

And can you smell the political interference?   Out of the blue, the Mayor issues a statement expressing her complete support for the SoM.  A day later there is a statement from SoM setting out the gravity of their financial condition.

The audience is there. Should they be asked to pick up some of the cost?

SoM is a business – it just isn’t being run as a business.  While discussing a financial problem at City Council SoM chair Dave Sheppard responded: “I’d just like it to go away”.

On that occasion someone came forward and directed the Community Foundation to send funds to SoM.  We don’t know how much that was nor who made the funds available.  Everything the Community Foundation does is secret as it should be.

There is a serious problem.  SoM continues to look for corporate sponsorship.  That model has come to an end, and the people running SoM should have been aware of that.

One of the problems at SoM has been the turnover at the leadership level.  Entertainment is a very complex business – it needs people with years of experience at the helm.  Sheppard, through no fault on his part,  found himself serving as chair

These are the people who get things set up before the event begins

Administratively the SoM has an incredible team of people who make the wheels go around when the event has to be set up.

There are a number of opportunities for the SoM to change the direction and the funding model.  Find the help from within the community – it is there.

Burlington has about 15, maybe 20 marketing organizations that are world-class operations.

Sheppard wants to get some help in identifying just who they are and approach them for help.  This is something former Mayor Rick Goldring could help out with.  He knows these people and is no longer part of the political process in the city.

Pull ten or so of them together – set out the situation and look to them for advice.   That means opening their books

A tired-looking sign, slightly shabby.

The SoM has forgotten about its public profile.  The graphics are old, tired-looking, and slightly shabby.  They should have been upgraded five years ago.

That graphic defies description.

And the logo – what does it say to you?  To me it looks like something put together by a ‘stoner’.  Upgrade it.

Look progressive, tell the story about people who have gained the public notice they needed from the SoM stage.

This stretch of commercial activity is filled during the Sound of Music.

Mention is made by the SoM people about the economic impact on the local economy.  There is no doubt that the hospitality sector does very very good business during SoM week.  Why isn’t that sector putting some of that additional revenue in the SoM coffers?

The city charges the SoM music for at least half a dozen services it provides.  They pay for the use of Spencer Smith Park.  It would be difficult to reduce the rate for SoM but the city could get creative.  They managed to find a way to get funds to Burlington Green when they ran out of sponsorship and Trillium funding.

SoM has to have a conversation with the talent.  Lowering just how much is paid to those who take the stage might be due.  The public would be surprised as to just how much SoM pays out to the artistic talent.  It is extensive.

There are more reasons to keep the SoM as an annual event than there are to let it become something Burlington used to be known for.

The Brant Inn came to an end because of poor management.

This doesn’t have to be the reason for bringing the Sound of Music to an end.

 

 

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SoM Chair: 'The Future of Canada’s Largest Free Outdoor Music Festival Is at Risk' - It has been at risk for more than five years

By Pepper Parr
August 13th, 2025
BURLINGTON, ON
After 45 years of music, memories, and communitybuilding, the Burlington’s Sound of Music Festival is facing a crisis. As Canada’s largest free outdoor music festival, we have brought together more than 400,000 visitors annually, offered a stage to 50+ Canadian artists each year and contributed an estimated $25 million in economic impact to Burlington and the surrounding area. Now, with sharp declines in public arts funding and sponsorship, our future is now uncertain.
What was once a thriving example of free and accessible live music is now grappling with the hard truth: We can no longer sustain this festival without urgent financial support!
Funding Cuts Are Undermining a Legacy
The federal Heritage Fund, which traditionally supported with $200,000 annually, now only offers grants up to $50,000. Other funding programs have been similarly reduced in material amounts. These losses, compounded by shrinking  sponsorship dollars, have created a critical gap that threatens the very heart of the festival.

“We’ve done everything possible to run lean without sacrificing safety or the quality of the experience,” says the Festival’s Board of Directors Chair, Dave Shepherd. “We’ve trimmed costs over $500k has been removed in the last 2 years,  streamlined operations, and maximized efficiencies. But we are now at the edgewithout new partners stepping in, we don’t know if we can keep going.” Shepherd goes on to add that “the festival is run and managed professionally, but the real magic happens with our dedicated volunteers who clock an impressive 6000 hours, over the festival weekend. We provide a great opportunity for summer youth employment each year as well, for some of the students in our community. “
A Proven Economic Engine and Cultural Beacon
A recent survey conducted with Burlington Economic Development and Tourism underscores what we’ve long known:

42% of attendees come from outside the city, with many staying 4+ nights, boosting revenue for hotels, restaurants, and retailers.

90% of outoftown visitors plan to return to Burlington after attending

Over 40 local businesses were showcased as community partners

The festival provided contracts in over$ 500k in value to Southern Ontario based businesses

Is everyone benefitting?

This is more than a festival. It’s an economic and cultural anchor that helps define Burlington’s identity, attracts tourism, and promotes small business success across the city and region.

Call to Action for Community Champions The time to act is now!
We’re calling on community leaders, philanthropists, corporate partners, and anyone who believes in the power of music and arts to help. We urgently need a major sponsor or group of sponsors to join us in protecting this treasured event and ensuring that future generations can continue to experience the joy, connection, and inclusivity that live music offers.

Why It Matters

In a time where connection and community are more important than ever, free and open access cultural experiences matter. The Sound of Music Festival is a safe space, a mental health booster, and a platform that breaks down barriers. It is one of the last of its kinda rare event that remains completely free to attend, offering worldclass performances to everyone, regardless of income or background. There is no barrier to entry!

This is more than a funding shortfallit’s a community crossroads. Without immediate support, we risk losing a 45year tradition that unites thousands in celebration every summer.

A tired, well past its “best before” date sign. Close to shabby.

Let’s Keep the Music Playing
If you are a business leader, a brand that values impact, or a citizen who wants to make a difference, we urge you to reach out. Sponsorship opportunities, legacy partnerships, and creative collaborations are all on the table.

Its time for change!  Together, we can and must keep the music alive!

For more information or to schedule a conversation about sponsorship opportunities, please contact:

Brent Kinnaird VP Festival Operations

Dave Shepherd Chairperson, Board of Directors

Julie Cole Vice Chairperson, Board of Directors

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Classic Cars & Carnival at Ireland House August 23rd

By Gazette Staff

August 12th, 2025

BURLINGTON, ON

 

Ireland House, one of the few early 18th-century homes still standing in the City.

The folks at Ireland House invite you to step back in time and explore the grounds of Ireland House Museum during the Classic Cars & Carnival event!

Enjoy a nostalgic array of classic cars, try your hand at ring toss, and treat yourself to timeless treats like popcorn and cotton candy.

His great-grandparents may have driven a vehicle like this.

There will be family friendly entertainment and activities throughout the day, and the Burlington Teen Tour Boosters will be onsite with a barbecue. Guided tours of the historic house will be available for booking (regular tour rates apply).

Admission to the event is by donation, suggested donation of $5/person. All proceeds from the event support the development of our education programs and management of collections at Ireland House Museum.

Saturday, August 23 |  10:00am – 2:00 pm

Ireland House Museum 
Ireland House is a historical house and property and the original homestead of the Ireland family. With guided tours, visitors step back in time to understand the life of early settlers.

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Mayor Meed Ward tells us a small part of what the SoM costs the city

By Pepper Parr

August 11th, 2025

BURLINGTON, ON

Does anybody know how many people attended the Sound of Music (SoM) last June?

Not a word from the SoM folks. Nothing from the city either

We now know a little bit more on what takes place on their financing.

The Mayor issued the following earlier today.

 

No idea why the Mayor issued the statement. No mention of whether the loan has been repaid or when repayment is due.

There is a lot more than the above when it comes to what the SoM people bring in in terms of sponsorships and revenue and what it spends for the talent that appears on the stages.

The not-for-profit sector is not required to produce financial statements.

A large part of their operational costs are things they have to pay the city to provide – they also have to pay the Police service a considerable amount.

Dealing with artistic talent is not easy – SoM has not always had the kind of talent needed to mange artists.

The graphic said more than it was supposed to.

Their relationship with Burlington Performing Arts held some promise; the Executive Director who got the two (BPAC and SoM) together had dep rooted experience she could draw on.

Her abrupt departure as Executive Director brought that to an end – nevertheless, BPAC still describes itself as the sponsor of SoM without defining just what that sponship entails.

The Performing Arts Chair is a former band player who has always been close to SoM.  He has yet to make himself available for an interview.

No idea what possessed the Mayor to issue the statement.

 

 

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What kind of a society parented Spencer Smith? Why was he able to give so much to the city he made home?

Who Knew 100x100 2015By Mark Gillies

January 15, 2015

BURLINGTON, ON

Burlington is using the month of August to celebrate local history. Sometime ago the Gazette published a series of articles by Mark Gillies, a lifelong Burlingtonian. It is appropriate to re-publish the stories about the people who built this city. This is part two of the Spencer Smith story.

Spencer Smith got to Canada as part of the immigration of British children into Canada and Australia. The children were shipped from England by well meaning people but there were some horrific abuses and I believe it is necessary to expand the Spencer Smith story and learn more about how these boys who, without their consent became indentured servants. They were referred to as “Home Children”.

The poem Spencer Smith wrote, it was included in part 1, aches with the longings of a man who missed so much of a natural childhood.

British immigrant children from Dr. Barnardo's Homes at landing stage, St. John, New Brunswick.

Home children on a dock in St. John NB – waiting for trains to take them east.

The concept of Home Children started with honourable intentions; with good people trying to salvage young children from a parent-less home, or incredible poverty. Relocate them to a better life in Canada or Australia, that’s all they had to do. What’s the problem with that?

What made the idea work, was that farmers in Canada and Australia faced a severe labour shortage. They had recently immigrated themselves from Europe, cleared their fields, and grew their crops. Only problem was, who was going to do the harvesting, tend to the fields, feed the animals, and everything else that farmers do in this difficult labour intensive profession?

They didn’t have anybody to help. Governments were perplexed as well; those in Canada and Australia were more than happy to bring in immigrants to open up land and create farms. Sometimes they even gave them free land and supplies, but governments overlooked one part of the equation. Who is going work these large farms? They desperately needed a solution, and quickly.

Gillies Boys FarmNo doubt about it, everyone at the time believed this was a “WIN-WIN” situation. Spencer Smith’s story was a perfect example of one that seemed to have a happy ending.

Featherstone Martindale & Spencer Smith.

Spencer Smith’s sponsor was Featherstone Martindale from Caledonia. If you have ever been to Caledonia, it seems that about every third person you meet has the last name Martindale. They are a fantastic local family and they show up everywhere in Caledonia. Featherstone was born in 1848 in Haldimand County. Featherstone must not have been impressed by his first name, because he always went by the name Fred. He was a good honest man and a hardworking farmer who desperately needed help on his farm. Fred over the years became a father of 8 children and had married 3 times.

The Farmer’s Wife in Spencer’s Poem
In Spencer’s poem, he speaks of the farmer’s wife who influenced him. Spencer was referring to Eliza Mary Shult, who was Fred’s second wife. His first wife Eliza Jane Anderson died in 1881 after giving birth to a daughter named Ann. Fred married Eliza Mary Shult on January 8, 1883, and the new couple proceeded to have 7 children, the first born was Frederick who died in early 1884. Then another son named Featherstone was born in late 1884, and another 5 children were born between 1886 and 1895. In 2 quick years from 1883 to 1885 Eliza had married, and brought along her own small son named Wilfred McBride who was 5 years old from her previous marriage, when her first husband John McBride died from tuberculosis in 1879.

Spencer arrived on the farm May 21st, 1885 when Eliza Mary was just 28 years old. She was quite a busy young lady herself by the time he stepped down from the carriage. This young lady seems quite remarkable to me, since she still had some extra maternal time to still dote on young Spencer, something that helped shape his life.

Pic 23 Eliza Mary Shult & Featherstone Martindale

Eliza Mary Shult, the second wife of Featherstone Martindale had a huge influence on Spencer Smith, and he fondly recalls about her in his poem written in 1911.

I’m sure old Fred would be quite crusty at times, and probably scared the lads half to death many more times, but Spencer’s poem has a softer edge to it, especially towards Eliza Mary. Eliza Mary died in 1895 from complications of the birth with her last child George Martindale. By this time, young Spencer had already left the Martindale farm. If Spencer actually stayed the full 3 years until he was 18, his servitude would come to an end in January 1888. After the death of Eliza Mary, Fred married a spinster named Margaret Anna Peart in 1907.

The Peart family in Caledonia, which is very large in number, just like the Martindale’s is somehow linked to the Peart family in Burlington, my guess is they are probably cousins. It’s only speculation, but the Jacob Peart farm in Burlington is on the land now occupied by Fortinos, Sears and Ikea, so maybe there was a connection for Spencer Smith to come to Burlington, especially if it was initiated through the Peart families in Caledonia and Burlington. The Peart farm was located directly across Plains Road from the Bell homestead. We’ll never know for sure, but we can at least think about it.

Spencer Smith was quite fortunate and did not face some of the severe hardships that other Home Children experienced. Far too many faced a certain hell of an existence.

The Truth about the British Home Children in Canada
Here’s what really happened to most of the British Home Children.
Gillies - Herbert CliffordThis became an economic issue more than anything else. It was strictly a case of supply and demand. Most of these organizations were faced with a huge demand. They had great difficulty in meeting the demand by farmers and governments in Canada and Australia. It was stated at one time that there were 10 applications for every child. So what were they going to do? The answer was simple. Start rounding up any child who potentially was wayward and lived in the area that was to be scoured for recruits. Overly simplified, absolutely, but not by much.

The fact remains, that the original concept was for orphaned children. The reality was that only 2% were orphans. The rest were children in the wrong place at the wrong time. It’s true that during these times some parents had great economic problems, perhaps they were unemployed or seriously ill, and they had no choice but to hand over their children to a workhouse, or some other care facility until they could get back on their feet and then bring their children home. The truth is, these organizations to help meet the demand, decided to ship them overseas without their parents’ consent. Most of these children had no idea what was happening to them. The parents did not know either. The children never realized that they would never see their family again.

Pic 24 Dr Barnardo at Founder's Day Parade July 15 1905 x

Dr. Thomas Barnardo was a very controversial character, and was responsible for exporting thousands and thousands of British children out of England and relocating them mainly in Australia and Canada. Here he is in 1905 leading the Founder’s Day Parade shortly before his death that same year.

The largest organization was run under the management of its controversial founder Dr. Thomas Barnardo.  He somehow convinced the Canadian and Australian Governments to take these children. Once that was established, then other organizations like the Shaftesbury Homes, the Salvation Army, churches, and others also jumped on the bandwagon. Probably, none of these add on organizations realized that down the road, this program was going to spiral way out of control, and thousands and thousands of small children were going to be totally exploited in this moneymaking scheme to supply cheap child labour to Canadian and Australian farmers. You can dress it up any way you want, citing testimonial cases that turned out good, reminding people that they were paid a small amount, some orphans were adopted by loving families, but in my opinion, the bare bones reality was: Canada, Australia and England were totally involved in a repulsive child slavery program.

Whatever happened to the other 32 boys who made the trip to Hamilton?

When I researched for information on the other 32 boys that made the trip to Canada with Spencer Smith, only about 2 boys continued to surface on available records. The Flamborough Historical Society has documented one of these Home Children. That boy went on to marriage, become a father and worked as a market garden farmer in Aldershot. He turned out okay.

Spencer Smith turned out okay. The others, they completely disappeared. We know some could have been adopted and had their surnames changed. As an outsider, it is basically impossible to track them. We already know that conditions for some children were so severe that they continually ran away from the farms they were working on, and many were beaten to a pulp when they were caught and returned. We know with documentation as proof that over two thirds of all the British Home children were beaten severely. We know that many of these children were not allowed to become part of the family that was caring for them. Gillies - Ralph CheesmanThey were forced to live in exclusion on the farmer’s property, and not interact with the farmer’s own children or have any friends of their own. They were not loved or nurtured in any way. We know that they were constantly tormented and bullied by other children at local schools, and even adults participated in this human degradation of these children. We know that many just eventually disappeared. Where you ask?

My guess is some were probably murdered when they were beaten so severely by the farmers, and when authorities came around they just claimed that they ran away. Some children because of horrific living conditions probably became so ill, that they died on the farm, and were quietly buried on the property so as not to draw any suspicion. Others may have committed suicide, and became nothing more than John or Jane Does stashed away in a local morgue, waiting for no one to identify them. Whatever the reason, they’re gone, and we don’t know have explanations. Have a look at this story that appeared in the Saskatoon Star-Phoenix newspaper on April 23, 1930 about a young British Home Child boy named Arthur Godsall who was savagely beaten on a farm in Campbellford by farmer William Albert Hay, age 37.

Pic 25 Saskatoon Star-PhoenixAlbert had just arrived from England with many other British Home children and they all disembarked at Halifax from the ship Albertic on March 17, 1930.

Albert made his way to the Hay’s farm in Campbellford, and less than a month after he arrived he endured this beating and was finally rescued. That’s just one tragic story, there were thousands of stories just like this. One boy was forced to live outside in the dog house with the farm dog. The farmer fed the dog table scraps, and if the dog was full and if by chance there was any dog food left over, it was for the boy to scavenge. Not to mention that this same farmer viciously beat the boy almost daily. Eventually, he was removed from the farm, and as far as I know this farmer did not face any charges. This is unbelievable, but true. This happened in Canada. If you do some basic internet research, you will find these stories and many more.

What’s really disturbing is just how low profile this tragic event in human history was, and just how little we know of it now. But, it is becoming more widely known, and just recently as victims have finally come forward. In Australia for example, the Australian Government were finally brought to their knees by a public outcry after the public learned the truth from these victims, and the government brought forth an apology for their involvement in this hair-brained scheme. Also, the British Government were totally embarrassed by previous governments’ involvement in this tragic situation also came forth with an apology offered by then Prime Minister Gordon Brown. And what about the Canadian Government?

Gillies - Alice SquiresWhere do we stand? Sadly, and unfortunately, the Canadian Government has essentially taken the position that this isn’t really a big deal, and no apology is warranted or forthcoming, even though they backed and encouraged this form of child slavery and abuse under the guise of helping disadvantaged children. Personally, I think that Jason Kenney the Cabinet Minister responsible for these remarks was not that well informed on the situation when confronted with the apology question, and consequently brushed it off as unimportant. I encourage you to contact Burlington’s local Federal Member of Parliament, Mr. Mike Wallace, who is a very decent man, and please voice your concern. I would like to think that Mike can champion this cause and help us get this apology from the Canadian Government. It’s long overdue, and it’s the right thing to do.

Here’s how to reach Mike Wallace, Member of Parliament: Burlington Mall Office, 777 Guelph Line, Suite 209, Burlington, Ont. L7R 3N2. T: 905-639-5757 or F: 905-639-6031
House of Commons, East Block, Suite: 115, Ottawa, Ontario, K1A 0A6
T: (613) 995-0881; F: (613) 995-1091 or email, mike.wallace@parl.gc.ca

There is an incredible website on the British Home Children. https://canadianbritishhomechildren.weebly.com/
It tells the whole story of the plight of these exploited children. It will break your heart to read and watch some of the videos made by former Home Children, these men and women who are now elderly, who have finally broken their silence to tell the real story of what happened to them. The website also has a form that can be signed. It is a petition to persuade the Canadian Government to offer an apology to these unfortunate people, many still alive in Canada, and still suffering mental anguish.

Add the website to your “Favourites”. It is quite large and takes a fair bit of time to go through it properly, so you will likely have to go back several times. The website also is constantly updated with more unbelievable stories about this shameful part of our Canadian past.

 

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Rivers: This is a story of passion and valour; a story of small victory and great losses,

By Ray Rivers

August 10th, 2025

BURLINGTON, ON

This is a story of passion and valour; a story of small victory and great losses, and the story of civilians turned combatants in a time of need.

In 1812 over 200 American troops crossed the international border from Fort Detroit to invade Canada. A bridge in their path near Windsor Ontario was defended only by two British soldiers
– and this is their story.

Canada is not the only nation with a bullying neighbour. The history of Ukraine is a story of invasions and occupations spanning hundreds of years. Ukraine had over 16,000 bridges when the
war started and they became one of the best weapons of defence for the nation under attack.

When the Russians came it became the duty of  all Ukrainian men and women to fight for the freedom of their nation. They were joined in this struggle by some of the millions of diaspora living
in other places around the globe, including Canada.

Their story is just another of the many that have characterized Ukraine’s struggle for survival from becoming another just Russia oblast – its 51st state.

 

Editor’s note:  Ray Rivers is the Director ofd the play and also the author of the script.  He plays a part as well.

 

Tickets

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